AuteursDVDHousekeeping

"Rock" of love

By October 26, 2010No Comments

Hunter

This delight­ful picture-within-a-picture image is brought to you cour­tesy of the great Frank Tashlin and his entirely trenchant and hil­ari­ous and dis­turb­ing 1957 mas­ter­stroke Will Success Spoil Rock Hunter?, now on a fant­ast­ic Blu-ray from Eureka!/Masters of Cinema and the sub­ject of this week’s Foreign Region Report, at The Daily Notebook, where it belongs. Enjoy. 

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  • I pretty cer­tain “Will Success Spoil Rock Hunter?” was not pho­to­graphed in three-strip Technicolor (which is what I believe Mr. Harris is talk­ing about in the inter­view you ref­er­ence in your art­icle). It was in the infam­ous “Color by DeLuxe” (Eastman Color prints from a single strip Eastman Color neg­at­ive) pro­cess. My guess is that the slight col­or arti­facts in this HD trans­fer are from a fad­ing neg­at­ive or sloppy col­or separations.
    The more import­ant ques­tion – is it Region Free?

  • Oops, just read the review again and saw the “Region B locked” note. C’mon Criterion!

  • Ian W. Hill says:

    Yep, ROCK HUNTER, like THE GIRL CAN’T HELP IT, was pho­to­graphed in what Tom Ewell calls, at the begin­ning of GIRL, “Gorgeous life-like col­or by DeLuxe.” It sure ain’t 3‑strip Technicolor, but a good print can still knock your eyes out (as a beau­ti­ful print of GIRL did to me over 20 years ago at Cinema Village, espe­cially in the Abbey Lincoln scene). I’ve nev­er seen a video trans­fer of either of these Tashlin films that looked even in the ball­park of the 35mm prints I’ve seen, so I’ll keep wait­ing for the time being for a domest­ic blu-ray to maybe get them right.

  • Glenn Kenny says:

    @ Pete, and Ian: Wow. That’s a BAD MISTAKE. A cor­rec­tion has been appen­ded to the post, but it’s gonna be a while before I live that down. Jesus.

  • Mike Mazurki says:

    Yup, east­man­col­or not tech­nicol­or. But on a plus note, that IS how one should spell The Geto Boys.

  • D Cairns says:

    Really, the film’s so lur­idly beau­ti­ful, it’s a very for­giv­able mis­take. And John Waters makes the same error in the DVD extra inter­view of “Girl.” When the inter­view­er points this out to him, he is effus­ively apo­lo­get­ic to the col­our pro­cess con­cerned: “I APOLOGISE to you, Deluxe, you were BETTER than Technicolor!”