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Asides
Some observations on the happy end problem in Film Noir
Some observations on the happy end problem in Film Noir
And since I'll be beginning with Gilda, I ought to state right off the bat…
Glenn KennyJuly 29, 2010
Asides
The only Mimsy, or, did someone mention "Road To Salina?"
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Yes, somebody did mention the fascinating Road to Salina, in the prior thread, and it…
Glenn KennyJune 2, 2010
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“the aurora that is SHATNER”
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Shatner interviewed in GQ (via @saniac): Resistance is futile, of course. You aren't in Shatner's…
DanMarch 31, 2010
Inspired by some of your previous posts, I just screened this movie and enjoyed the heck out of it. Minnelli’s film, by its very design, may suffer from the kind of overheated pacing the director character above bemoans in his own film-within-the-film production: “It’s all climaxes.” Nearly every scene begins and ends with an almost total reversal of the characters’/audience’s previous emotions and narrative expectations, but Minnelli guides all this furious energy into something like a believable portrait of a B‑movie Charles Foster Kane.