Tools of the Trade
F&S Recommends
- Campaign for Censorship Reform
- Glenn Kenny at Some Came Running
- New Zealand International Film Festival
- NZ On Screen
- RNZ Widescreen
- Robyn Gallagher
- Rocketman
- Sportsfreak NZ
- Telluride Film Festival at Telluride.net
- The Bobby Moore Fund
- The Hone Tuwhare Charitable Trust
- The Immortals by Martin Amis
- Wellington Film Society
- Wellingtonista
About F&S
You May Also Like
Great ArtSome Came Running by Glenn Kenny
Hello, Tony. Hello, kitty. Hello, Stan. Hello, Carl Th. Hello, Barbet. Hello, Lou, Edie, and John. Hello, Amy.
Hello, Tony. Hello, kitty. Hello, Stan. Hello, Carl Th. Hello, Barbet. Hello, Lou, Edie, and John. Hello, Amy.
Actually, the art-celeb-spotting aspect of Jonas Mekas' Walden is maybe the least of its many…
Glenn KennyDecember 10, 2009
AsidesSome Came Running by Glenn Kenny
Two down, ten to go: "Illusion Travels By Streetcar," Luis Bunuel, 1954
Two down, ten to go: "Illusion Travels By Streetcar," Luis Bunuel, 1954
In my mission to see twelve films that I've admitted to not having seen despite…
Glenn KennyOctober 9, 2008
AsidesGadgets
Twit
Twit
I really don't get Twitter. I know I probably should but really I don't.
Dan SlevinDecember 19, 2008
Inspired by some of your previous posts, I just screened this movie and enjoyed the heck out of it. Minnelli’s film, by its very design, may suffer from the kind of overheated pacing the director character above bemoans in his own film-within-the-film production: “It’s all climaxes.” Nearly every scene begins and ends with an almost total reversal of the characters’/audience’s previous emotions and narrative expectations, but Minnelli guides all this furious energy into something like a believable portrait of a B‑movie Charles Foster Kane.