Asides

Toward a unified field theory of "Pain & Gain"

By April 24, 2013No Comments

Pain and Gain

One of the things I admire about Michael Bay’s Pain & Gain is how it func­tions as a cri­tique of itself. “Bosh,” some have replied to my tent­at­ive mus­ings in this area, “Bay’s not that soph­ist­ic­ated a film­maker.” I dunno, or, more to the point, I don’t believe that he has to be in order for the film to be imbued with this qual­ity. I do a bit more the­or­iz­ing in my review for MSN Movies

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  • GHG says:

    Even the awe­some James Rosenquist name-check in the review – with rel­ev­ant photo appen­ded above – prob­ably won’t be enough to get me to see this. But you’ve def­in­itely piqued my interest.

  • Joel Gordon says:

    In my mind, this is the greatest movie ever made. No need to spoil that image by actu­ally see­ing it.

  • Great piece! You’re really on a roll. In the past I was under­whelmed by the con­stant ref­er­ences to Godard, but that tic seems to have faded. Now I can see that you do some really good stuff. You made me want to see this movie, big time, and I rarely think that after read­ing reviews. Even though Bay’s oth­er movies are mostly pain­ful, it sort of seemed that he might have some­thing in him. And, with a good screen­play like this, it seems he has way more than I expected.

  • Phil Freeman says:

    I’m really excited to see this movie. Here’s a strange thought I just had while read­ing your review – just going by the trailer(s), and the col­or palette etc. dis­played therein, this seems like Michael Bay’s attempt at a Tony Scott movie to me. Like, his ver­sion of Domino. Any thoughts on that?

  • Jeff McMahon says:

    I thought every Michael Bay movie was Michael Bay’s attempt at a Tony Scott movie.

  • george says:

    In the past I was under­whelmed by the con­stant ref­er­ences to Godard, but that tic seems to have faded.”
    Speaking of Godard, two days ago I finally saw “Vivre Sa Vie” for the first time (on the Criterion disc). It was extraordin­ary, and by far the best Godard film I’ve ever seen. Funny that a movie from 1962 had more impact on me than any­thing I saw in 2012.
    well, I guess we’d bet­ter get back to talk­ing about Michael Bay.

  • Don R. Lewis says:

    I just came in from see­ing this and loved it. It’s just so auda­cious, dumb, offens­ive and funny as well as being such a mean spir­ited, crazed look at America. Also, I don’t know if it’s been poin­ted out already but this isn’t Bay doing Tony Scott, it’s Bay doing the Coen Brothers; par­tic­u­larly FARGO or even RAISING ARIZONA.