Asides

Something to watch tonight: Thursday 21 September

By September 21, 2023No Comments

Downsizing (Payne, 2017) is streaming on Netflix

Netflix is a frus­trat­ing ser­vice. They push their pre­ferred “New! New! New!” con­tent at you relent­lessly but there is so much gold hid­den beneath the sur­face that – as I said about DocPlay yes­ter­day – I could fill this entire news­let­ter with their titles.

Downsizing has just been added to the Australia/NZ list and I’m delighted to recom­mend it. Alexander Payne is still prob­ably best known for Sideways – two old friends vis­it winer­ies and argue – or the equally excel­lent The Descendants, fea­tur­ing an all-time great per­form­ance from George Clooney.

In Downsizing, humans are being encour­aged to shrink them­selves, sup­posedly to reduce our intol­er­able and unsus­tain­able envir­on­ment­al footprint.

A delight­fully down­beat Matt Damon plays Paul, choos­ing to under­go the pro­ced­ure not for the plan­et, but to make his money go fur­ther and live a life of lux­ury to which he feels entitled.

It does not go the way he expects.

I was lucky enough to review Downsizing for At the Movies when it was released in 2018.

Downsizing owes a debt to Jonathan Swift’s Gulliver’s Travels, espe­cially the Brobdingnagian sec­tion where our hero is a tiny fig­ure in a land of giants. But it’s also a deeply spir­itu­al film, not in the sense of pro­mot­ing a spe­cif­ic faith, but by show­ing us this slightly over­weight, incuri­ous, blinkered west­ern­er find­ing a pur­pose that he nev­er even real­ised he needed, a need for real com­munity as his former com­munit­ies and asso­ci­ations splinter, isol­ate and with­draw them­selves from the world.

And here’s the prob­lem the film has had find­ing an audi­ence. Firstly, it’s a lot to expect middle-America to go in huge num­bers to a film that essen­tially insults them, but also it grows so much big­ger and more pro­found than the wacky satire the mar­ket­ing prom­ises. It’s not a com­fort­ing exper­i­ence. Even if you enjoy mak­ing fun of American mater­i­al­ism at the begin­ning, you might find that this film’s gaze is even­tu­ally turned on you.

Payne has a new film arriv­ing in cinemas after Christmas: The Holdovers reunites him with Sideways’ Paul Giamatti.


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Further reading

At RNZ this week I wrote about AMC+ and how it may be the best value stream­ing ser­vice you have nev­er heard of. I recom­men­ded three shows to get you started.