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Dan Kois could never deal with Debra Paget.
Paget’s temple dance in THE INDIAN TOMB is the greatest scene in the history of cinema. I admit my opinion may be colored by the fact that watching it immediately sends all the blood from my brain to, um, elsewhere.
As well it should.
Because I am of a certain age, I was lucky enough to see much of Ms. Paget’s oeuvre when it was new. I fell in love with her when I saw Broken Arrow and have never recovered. Then there was Mona Freeman . . . .