Some Came Running by Glenn Kenny

Nirvana for cinecrophiles

By March 3, 2011February 13th, 202616 Comments

Twice resized

“Cinecrophilia” is the admit­tedly quite clev­er coin­age of The New Yorker’s Richard Brody, who has used the term on Twitter as a brush to tar those with the temer­ity to insist that they prefer the more classically-crafted products of the Old Hollywood to the slack, exhibitionistic-sub-Ed-“Morning”-Wood antics of some of the young inde­pend­ent film­makers Mr. Brody cham­pi­ons. Of course Mr. Brody would­n’t put it that way, but you get the idea. Anyway, I choose to be all Dan Quayle about it, that is, I wear the term “cinec­ro­phile” like a badge of hon­or. And I plan to indulge my fet­ish quite fre­quently at Suffern, New York’s Lafayette Theater begin­ning in mid-March, when the Spring 2011 sea­son of its Big Screen Classics series begins. The series kicks off on March 19 with The African Queen, which some might con­sider a bit of a usu­al sus­pect, but this is the new res­tor­a­tion they’ll be screen­ing, and it’s sure to be a treat for fans of the pic­ture. Among the some­what unex­pec­ted delights in store are Blake Edwards’ and Peter Sellers’ The Party, the immor­tal Shanghai Express, lovely Rita Hayworth in Cover Girl, the fab­ulous baked ham buf­fet that is Witness for the Prosecution, and more. The series ends with a selec­tion that I could swear BSC major­do­mos Nelson Page and Pete Apruzzese made just for me, them, and our com­mon friend Joseph Failla: You Only Live Twice, the first Bond film I ever saw in its the­at­ric­al release, at a drive-in, wear­ing my Jonny-Quest-style black tur­tle­neck even. I was 34. (Joke. I was sev­en going on eight.) A sem­in­al cine­mat­ic exper­i­ence it was, and shall be. Hope to see you there. The whole sched­ule for the sea­son is here; and the Big-Screen-Classics-website-proper, here, has info on some of the oth­er great pro­grams the boys have going at some of their oth­er con­cerns in New York and New Jersey. 

16 Comments

  • Asher says:

    In really excit­ing news for cinec­ro­philes, STARS IN MY CROWN finally has a (remastered!) DVD release, via Warner Archive.

  • Owain Wilson says:

    YOU ONLY LIVE TWICE? Sick with jealousy.
    As a 35 year old who has seen every Bond film at the cinema since A VIEW TO A KILL in 1985, and whose very first trip to the cinema was MOONRAKER in 1979, I’m on a mis­sion to see every pri­or Bond film on the big screen and have only got six more to go. YOU ONLY LIVE TWICE is No 1 on my wish list. Enjoy it!

  • She was even in a couple of films by Mikio Naruse, which is anoth­er reas­on to proudly announce Hama time.

  • Oliver_C says:

    Never one of my favour­ite Bonds, but any film which com­bines a Roald Dahl screen­play and Freddie Young cine­ma­to­graphy is worth a look. Keep your eyes out, too, for the brief shot where Blofeld’s trade­mark cat, thor­oughly and dis­turb­ingly freaked by all the block­buster pyro­tech­nics, has to be restrained with all Donald Pleasence’s might:
    http://www.youtube.com/watch?v=H0FcOPb-9rE

  • I always doze off dur­ing the Japanese vil­lage seg­ment of the film about 2/3 of the way in, and can under­stand why Connery was eager to leave as the effects tech­ni­cians took over. (I think British films used the same explos­ives sound from the 50s through the 80s, as if aus­ter­ity meas­ures regard­ing the rerecord­ing of audio remained in place for decades.)
    Connery must have been fit to be tied when he saw ON HER MAJESTY“S SECRET SERVICE, a Bond that has everything in the right pro­por­tion, whose only flaw is his absence.
    But we always recall our first the­at­ric­al Bond fondly. Mine was DIAMONDS ARE FOREVER, on a double bill with LIVE AND LET DIE, when I was eight.

  • Precisely, Robert. I first saw “Goldfinger” at a drive-in in Maine, in my pyja­mas and eat­ing a big box of cheese Flings. It was ter­rif­ic. (I was 5, I should add.)
    Of course, this was in the good old days when par­ents – bless them – simply took their chil­dren to whatever movie they wanted to see. “Charade,” “Zulu,” “A Man For All Seasons” or a re-release of “Around the World in 80 Days” – you really nev­er knew what you were going to get as a kid back then. And I’m still thank­ful for it.

  • Unkle Rusty says:

    I’ll nev­er for­get being dragged along to a double bill of Three in the Attic and Three in the Cellar at age 10 by my addled par­ents, unable to find a babysit­ter, at the Kitsap Drive-In, Bremerton, WA. Can’t recall any Bonds seen under sim­il­ar cir­cum­stances, regrettably.

  • christian says:

    I once had a nice long chat with gos­sip­ist Mike Walker and I made sure all he told me were his amaz­ing stor­ies of work­ing for Connery dur­ing the mak­ing of YOU ONLY LIVE TWICE. The first thing I asked him if it was true that Connery was really over Bond as his 007 per­form­ance is his worst. Walker con­firmed that he wanted out, was cool to hang with, and lit­er­ally threw a group of Japanese paparazzi out of an elevator.

  • jbryant says:

    I think the first bond I saw on the big screen was DIAMONDS ARE FOREVER at a drive-in. I had prob­ably seen GOLDFINGER on TV though, because I remem­ber really want­ing one of those Oddjob action fig­ures with the springy arm that could throw his leth­al hat.

  • Phil says:

    Big Bond fan here. First the­at­ric­al Bond was The Living Daylights. I was 12. I have to admit I find You Only Live Twice to be mind-numbingly bor­ing. Nothing, like, hap­pens. This is a big flaw for a Bond film. Now, I saw all the Bonds when I was much young­er, but I recently embarked on a pro­ject to see them all again on DVD, chro­no­lo­gic­ally. You Only Live Twice was still bor­ing. I’m stalled now because I have a hard time bring­ing myself to watch Moonraker again.
    I remem­ber shar­ing my favor­ite, From Russia With Love, with a couple of friends back in high school. They did­n’t get it and dozed off. Their 1992 con­cep­tion of what James Bond was did­n’t jibe with the 1963 version.

  • Ryan Kelly says:

    Work has detained me from going the last few sea­sons – I don’t think I’ve gone since I saw “Vertigo” in the fall of ’09. Not gonna let that hap­pen this time around.

  • Glenn -
    Thanks for the plug for the sea­son at the Lafayette. This should be a fun sched­ule with a few films I haven’t seen, not­ably Shanghai Express. Universal says that we’re get­ting their best print of that one.

  • LondonLee says:

    My dad used to take us to Bond movies on the day they came out at the Odeon Leicester Square in London with it’s incred­ible foot­ball field-size screen. Saw them there from OHMSS through to MOONRAKER. Not the best of Bond runs I admit.

  • Charlie R says:

    I was so excited to see the new sea­son’s titles announced. I’ve always wanted to see a Josef von Sternberg print. I expect March 19th to be a fun day with The African Queen and the 35th anniversary print of Taxi Driver play­ing at AMC theatres.

  • hamletta says:

    I saw THE GRADUATE at the drive-in when I was about 6. Needless to say, I did­n’t under­stand much of it, but a few years later when I saw Rich Hall at a club and he smushed a piece of plexi­glass against his face and screamed, “Elaine!” I got the joke.
    I’m excited about our beloved Belcourt Theatre’s “Visions of the South” series, espe­cially THE PHENIX CITY STORY and NIGHT OF THE HUNTER on the big screen!
    Asher, you’ll be delighted to learn that STARS IN MY CROWN is in the lineup, too.

  • i’t just because the old ones are bet­ter. There’s noth­ing to do about this, only few movies a year are worth watching.

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