Frame from the 1966 film Daisies.

One of the most remark­able changes between the Sight & Sound 2012 chart of the greatest films of all time and the 2022 ver­sion was Věra Chytilová’s 1966 com­edy Daisies went from not appear­ing at all to num­ber 28 – ahead of Scorsese’s Taxi Driver.

What promp­ted this re-evaluation? Accessibility, mostly. The 2022 list benefited from many titles by women, people of col­our and LGBTQ+ film­makers mak­ing their way to home video and stream­ing ser­vices. Film soci­et­ies and cine­matheques were also tak­ing advant­age of res­tor­a­tion and res­cue efforts. (The irony that Daisies is cur­rently dif­fi­cult to find out­side of the US and the UK is not lost on me at this moment.)

We watched it over the Christmas break and I was struck by how six­ties it was, as if the times were a more power­ful influ­ence than the Iron Curtain con­text or the emer­ging and frus­trated fem­in­ism. It’s almost as if a copy of A Hard Day’s Night had been smuggled into Czechoslovakia and secretly screened in dis­sid­ent’s apart­ments. But the Richard Lester film was optim­ist­ic and fun. Daisies is chaot­ic and satir­ic­al but also cyn­ic­al and despairing.

Two young women – both named Marie – pledge to live life in ser­vice of pleas­ure but only find empti­ness. While author­ity fig­ures – and the older gen­er­a­tion – are lam­pooned, it becomes clear that the soci­ety they are liv­ing in has little or noth­ing to offer them.

There’s one exten­ded and dis­turb­ing scene where the girls dis­cov­er a ban­quet set at a huge table and they pro­ceed to devour and des­troy it. It goes on and on until they are left with no option but to return and try and make it good – broken crock­ery and all.

The film begins and ends with foot­age of war, remind­ing view­ers from our dis­tance of how the people of 1966 were still pro­foundly affected by World War II – mater­i­ally as well as psy­cho­lo­gic­ally. (Tarkovsky’s Mirror from 1975, num­ber 31 in the S&S list, used real war foot­age for sim­il­ar reasons.)

The 50 Greatest Films pro­ject is my attempt to watch all of the top 50 Sight & Sound Greatest Films of All Time list before there’s a new sur­vey in 2032 and I have to start all over again. This pro­ject star­ted over at RNZ Widescreen and was con­tin­ued – some­what haphaz­ardly – at the Substack newsletter.


Where to watch Daisies

Aotearoa: Not cur­rently avail­able online

Australia: Not cur­rently avail­able online

Canada: Streaming on Criterion Channel or Hollywood Suite

Ireland: Not cur­rently avail­able online

India: Not cur­rently avail­able online

USA: Streaming on Criterion Channel or HBO Max

UK: Streaming on BFI Player

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