“He used to beat himself up ’til he was sick and confused/and tired and frothin’ and crazy and bruised/‘Til he’d be too worn out to keep being himself/now he can pick ’em at will from the heads on the shelf.”
"The Kid With The Replaceable Head," Richard Hell & The Voidoids (w/Robert Quine)
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They had that one okay song. But now that you bring it up, few things used to piss me off more (relatively speaking, I mean) than these frigging (usually blond) hair bands who’d come out of the gate all cock-rock and what-the-fuck-is-up and then IMMEDIATELY detour to the pussy-ass power ballad to lock in the boob-flashing demographic. Bullshit then, bullshit when recollected in tranquility. At least bands like Purple and Grand Funk had the integrity to go pretentious when they went slow.
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He never heard the Doobie Brothers.
I’m glad the Doobie Brothers existed for at least two reasons:
1) Millie playing and singing “Jesus is Just All Right with Me” in FREAKS AND GEEKS.
2) Mark Wahlberg inexplicably singing a few lines of “Black Water” to prove to the holed-up residents of a house that he and his fellow survivors are just regular folks and not to be feared. Understandably, this doesn’t work.
R.I.P. Robert. I can’t believe it’s been over seven years since I told a friend over drinks that I’d heard he killed himself and we subsequently rhapsodized about THE BLUE MASK and BLANK GENERATION.