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Only God Forgives poster

Review: Pain & Gain, Only God Forgives, The Wolverine, The Way Way Back, The Conjuring & Byzantium

By Cinema, Reviews

Ryan Gosling in Only God Forgives (2013).

Still Mine posterStill hov­er­ing around some loc­al cinemas – and the longest-delayed of all my out­stand­ing reviews – Still Mine is a sur­pris­ingly effect­ive Canadian drama about an eld­erly man (James Cromwell, 73 but play­ing a fit 89) determ­ined to build a new house for his wife (Geneviéve Bujold) before her memory deserts her com­pletely. Cromwell gives his char­ac­ter a soft­ness which belies the usu­al ornery old dude clichés, even if his stub­born refus­al to sub­mit to the build­ing code is the device on which the story hinges. Contains lots of shots of Cromwell’s hero­ic pro­file star­ing off into the New Brunswick distance.

Ping Pong posterOlder people are, para­dox­ic­ally, the only grow­ing seg­ment of the film audi­ence in New Zealand so there’s often high qual­ity fare around the tempt them. One of the best is the doc­u­ment­ary Ping Pong, about com­pet­it­ors (genu­ine com­pet­it­ors at that) in the World Over 80s Table Tennis Championship in Inner Mongolia. Like any good doc­u­ment­ary it assembles a great cast of char­ac­ters and like all good sports movies it makes full use of the built-in drama of a knock-out tour­na­ment. Not just about the res­tor­at­ive power of exer­cise, it’s also about friend­ship and adven­ture. Inspiring, so help me.

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Review: The Simpsons Movie, The Banquet, Angel and Georgia Rule

By Cinema, Reviews

The Simpsons Movie teaser posterIt’s an awfully long time since I have watched a com­plete epis­ode of The Simpsons so I was­n’t 100% con­fid­ent that I would be happy sit­ting through an exten­ded ver­sion of the legendary hyper­act­ive car­toon. I need­n’t have wor­ried. The Simpsons Movie is one of the most purely enter­tain­ing movies of the year, with all the stops pulled out by an army of tal­en­ted writers and anim­at­ors determ­ined that the grand leg­acy be con­firmed on the big screen.

And they have done it by not mess­ing with the for­mula. The film is essen­tially an 85 minute epis­ode of the series with the only visu­al con­ces­sions being an abund­ance of detail for the obsess­ives and an enriched col­our palette. Plus, the exten­ded dur­a­tion gives the writers a chance to take some time to really give the film some heart.

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