Dan and Kailey are joined by film festival stalwart and emergency management specialist Rebecca Goodbehere to discuss the new Dwayne Johnson disaster movie San Andreas and the new Cameron Crowe disastrous movie Aloha. Plus the latest announcements from this year’s NZIFF and the usual mix of news and box office stats from around the world.
Time to clear the summer holiday backlog so that the next time it rains you’ll have an idea of what you should go and see. There’s plenty to choose from — for all ages — and there’s a bunch more to come too.
Best thing on at the moment is Martin Scorsese’s first “kids” film, Hugo, but it took a second viewing for confirmation. It is a gorgeous love letter to cinema, a plea for decent archives, a champion of the latest technology — all Marty’s current passions — but it’s also about something more, something universal.
Hugo Cabret (Asa Butterfield) is a little orphan ragamuffin hiding in the walls of a great Paris railway station, winding the clocks and trying to repair a broken automaton that he believes contains a message from his dead father (Jude Law). While stealing parts from the station toy shop — and its sad and grumpy old owner — Hugo meets the old man’s god-daughter (Chloë Grace Moretz) and between them they try and unravel the mystery of the automaton and why Papa Georges (Ben Kingsley) is so unhappy. Hugo is a moving story about repair — the kind of redemption that comes when you don’t write off and discard broken machines — or broken people.