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guillem morales

Review: Like Crazy, Chronicle, A Few Best Men, J. Edgar and Julia’s Eyes

By Cinema and Reviews

Like Crazy posterThree films this week point the way towards pos­sible futures for cinema – and if two of them are right then we should all find anoth­er hobby. Like Crazy is a mostly-improvised romance shot on one of those pro-am stills cam­er­as that can also shoot hi-def video (the Canon 7D in this case). These devices are afford­able and highly port­able but the look that they have, while effect­ive in music videos and short sequences, doesn’t keep your interest over the length of a full fea­ture. And, just because your cam­era lets you shoot a lot of foot­age of people nood­ling around mak­ing stuff up, that doesn’t mean you shouldn’t still have an actu­al plan.

Actually, the pho­to­graphy is less of a prob­lem in Like Crazy than the story: two young lov­ers not so much star-crossed as US Department of Immigration-crossed, have to decide how much they care for each oth­er when their efforts to be togeth­er are thwarted by the pesky Atlantic ocean and their own shal­low­ness. Felicity Jones (Chalet Girl ) is the Brit who over­stays her stu­dent visa so she can be with Californian fur­niture design­er Anton Yelchin (Fright Night), set­ting the wheels in motion that will actu­ally keep them apart for years.

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