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Review- Billy T: Te Movie, POM Wonderful Presents: The Greatest Movie Ever Sold, Incendies, Of Gods and Men, How I Ended This Summer, Mr. Popper’s Penguins and Something Borrowed

By Cinema, Reviews

Billy T: Te Movie posterProspective new migrants to New Zealand should be shown Ian Mune’s movie Billy T: Te Movie in order to weed out the uncom­mit­ted. Of course, we needn’t tell them that the coun­try has changed bey­ond all recog­ni­tion in the the last 25 years – that would spoil the fun. We could stick a hid­den cam­era on them and giggle (I think I know what the giggle should sound like too) as the full hor­ror of New Zealand’s unsoph­ist­ic­a­tion in the 70s and 80s is revealed.

Billy’s suc­cess was symp­to­mat­ic of that strange imma­ture cling­ing to over­seas ideas that riddled New Zealand cul­ture at the time – he was inspired by awful Northern com­ics like Bernard Manning and Les Dawson – but he was also a cata­lyst for the change and Mune’s doco tells his story well. My only com­plaint – for a change – is that it isn’t long enough – some of the most inter­est­ing aspects of Billy’s life are skir­ted over pretty lightly. I could have done with more from Jim Moriarty, for example, about what it was like as an act­iv­ist to watch the only Maori on tv per­petu­at­ing ugly ste­reo­types. In fact, they could have swapped more ana­lys­is for some of Billy’s lamer jokes and I wouldn’t have minded.

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Review: Daybreakers, Hot Tub Time Machine, Genova and The Necessities of Life

By Cinema, Reviews

I am sick of vam­pires. Sick to death. As a great philo­soph­er once said, “What is point, vam­pires?” and I have to con­cur. They’re every­where you seem to turn thses days and the most bor­ing of the lot (the Twilight mob) are back in June to bore us all to death once again.

Daybreakers posterSo, my heart sank a little when I saw the trail­ers for Daybreakers, an Aussie hor­ror about a world con­trolled by vam­pires, hunt­ing and farm­ing the remain­ing humans for their plasma. One of the pleas­ures of this gig is when the sur­prises are pleas­ant and Daybreakers def­in­itely turned into one of those. Tightly wound and (for the most part) logic­ally sound, the tyres have been well and truly kicked on the premise before the cam­er­as (and digit­al com­pos­it­ors and Weta mask makers) got involved.

Ethan Hawke plays the Chief Blood Scientist for the big cor­por­a­tion that provides most of the world’s sup­ply. Ten years earli­er, an infec­ted bat caused an epi­dem­ic which rendered most of the pop­u­la­tion undead – a few, like CEO Sam Neill went will­ingly when faced with the offer of immor­tal­ity. Hawke is work­ing on a sub­sti­tute – he’s veget­ari­an in a human blood kind of way – and sup­plies for every­one are run­ning low. When a reneg­ade bunch of humans (led by Willem Dafoe) tell him about a pos­sible cure he is forced to choose between his boss, his human-hunter broth­er and what’s left of his humanity.

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