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in this world

Review: The Killer Inside Me, After the Waterfall, Jackass 3D and City Island

By Cinema, Reviews

The Killer Inside Me posterMichael Winterbottom some­how man­ages to make a film a year and, while the qual­ity can go up and down a bit, his work is nev­er less than interesting.

He’s most fam­ous for Tristram Shandy (with Steve Coogan) and the sexu­ally expli­cit 9 Songs, but my favour­ites are his Klondike ver­sion of The Mayor of Casterbridge (The Claim) and the people-trafficking pseudo-verité of In This World. Already this year we’ve seen his 2008 mis­fire Genova (Colin Firth, moody and bereaved) and right now we have The Killer Inside Me, a mis­an­throp­ic Texas noir based on a fam­ous pulp nov­el by Jim Thompson.

Babyfaced Casey Affleck (the cow­ardly assas­sin who killed Brad Pitt in The Assassination of Jesse James by the Coward Robert Ford) plays anoth­er Ford, Central City Deputy Sheriff Lou Ford, son of the town’s respec­ted GP and pil­lar of West Texas society.

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Review: Daybreakers, Hot Tub Time Machine, Genova and The Necessities of Life

By Cinema, Reviews

I am sick of vam­pires. Sick to death. As a great philo­soph­er once said, “What is point, vam­pires?” and I have to con­cur. They’re every­where you seem to turn thses days and the most bor­ing of the lot (the Twilight mob) are back in June to bore us all to death once again.

Daybreakers posterSo, my heart sank a little when I saw the trail­ers for Daybreakers, an Aussie hor­ror about a world con­trolled by vam­pires, hunt­ing and farm­ing the remain­ing humans for their plasma. One of the pleas­ures of this gig is when the sur­prises are pleas­ant and Daybreakers def­in­itely turned into one of those. Tightly wound and (for the most part) logic­ally sound, the tyres have been well and truly kicked on the premise before the cam­er­as (and digit­al com­pos­it­ors and Weta mask makers) got involved.

Ethan Hawke plays the Chief Blood Scientist for the big cor­por­a­tion that provides most of the world’s sup­ply. Ten years earli­er, an infec­ted bat caused an epi­dem­ic which rendered most of the pop­u­la­tion undead – a few, like CEO Sam Neill went will­ingly when faced with the offer of immor­tal­ity. Hawke is work­ing on a sub­sti­tute – he’s veget­ari­an in a human blood kind of way – and sup­plies for every­one are run­ning low. When a reneg­ade bunch of humans (led by Willem Dafoe) tell him about a pos­sible cure he is forced to choose between his boss, his human-hunter broth­er and what’s left of his humanity.

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Review: Friday the 13th, My Bloody Valentine, He’s Just Not That Into You, Marley & Me and Son of a Lion

By Cinema, Reviews

Friday the 13th poster Strange as it may seem but review­ers are people too and, like the rest of you ordin­ary folk, we have blind spots and mine is hor­ror. Back when I was a civil­ian, I man­aged to avoid most of the icon­ic hor­ror movies of the 60s, 70s, 80s and 90s for reas­ons (I’m sorry to say) of pure squeam­ish­ness. Imagine my, er, sur­prise then when I dis­covered that this week had two, pos­sibly even four, hor­ror films in it. Eek.

My only pre­vi­ous expos­ure to the Friday the 13th cata­logue was a grainy pir­ate video in 1981 (with sound about ten seconds out of synch) so, with few pre­con­cep­tions, I am pleased to report that the Michael Bay-pro­duced remake is quite enter­tain­ing. Silly, of course, but entertaining.

The scene is present day Crystal Lake (scene of the hockey-masked ghoul named Jason’s camp counsellor-offing ram­page in the ori­gin­al) and a group of gorm­less rich col­lege kids are look­ing for laffs on Jason’s turf. You sus­pect it won’t end well for any of them and you are right. Director Marcus Nispel made the video for Cher’s “Walking in Memphis” so you can see how he could eas­ily turn his hand to this sort of thing.

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