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john cleese

Dec 30 2010
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Review: Robin Hood, The Secret in Their Eyes & four more ...

By Cinema, Reviews

Robin Hood posterWhen my usu­al movie-going part­ner was offered the chance to see the new Robin Hood her first ques­tion was “Who is play­ing Robin?” When I told her that it was Strathmore’s finest son, Russell “Rusty” Crowe, she declined sug­gest­ing some­what unchar­it­ably that he was prob­ably bet­ter suited to play­ing Friar Tuck (or at a pinch Little John). Her favour­ite Robin is the 80s be-mulletted Michael Praed from the tele­vi­sion. Mine is a toss-up between the “fant­ast­ic” sly fox in the 1973 Disney ver­sion, John Cleese in Time Bandits and Sean Connery in Robin and Marian, so Rusty and dir­ect­or Ridley Scott had a moun­tain to climb before the open­ing cred­its even rolled.

This new Robin Hood is a pre­quel (or an ori­gin story in the com­ic book par­lance). On his way back from the Crusades with Richard the Lionheart, Robin Longstocking (sorry, Longstride) heads to Nottingham to return a sword. In Richard’s absence, England has fallen in to fin­an­cial and polit­ic­al ruin and the French are plot­ting to fill the void with an army mass­ing off the coast and spies in the court.

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Dec 22 2008
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Review: The Day the Earth Stood Still

By Cinema, Reviews

Finally, we have a week with only one new film in it: a chance for me to stretch my legs, extem­por­ise, riff a little, get my hands dirty. Yeah, I’ve been look­ing for­ward to this, to prove I can be a real film crit­ic and write eru­dite and cul­tured prose; place a film in its wider social, polit­ic­al and cul­tur­al con­text; dis­cuss mise-en-scène and die­get­ic register, all the while provid­ing a riv­et­ing (and undeni­ably “cor­rect”) per­spect­ive on the film’s mer­its and qual­it­ies. Cool.

The Day the Earth Stood Still posterUnfortunately, the film that stands alone this week is the Keanu Reeves remake of the 1951 clas­sic The Day the Earth Stood Still and frankly its hardly worth the both­er. The ori­gin­al film was a pulp par­able play­ing on the nuc­le­ar para­noia of “duck and cov­er” America: an ali­en lands in Central Park to tell us that he’s going to des­troy the human race because we don’t deserve to live (we are war­like, bru­tal and selfish creatures you see, and the earth is too pre­cious to be left in our care). But, the stern humanoid ali­en Klaatu softens on con­tact with a human child and real­ises that our capa­city for change makes us worth per­sever­ing with. Naïve but satisfying.

The new ver­sion keeps the guts of the story intact (eco­lo­gic­al doom and home­land secur­ity make up the new para­noia) while over­blow­ing everything else to giant size. Reeves dead­pans his way through as Klaatu (sens­ibly stay­ing well with­in the lim­its of his range) and he’s joined by the mid-market star power of Jennifer Connelly, “Mad Men“ ‘s ‘Don Draper’ him­self (the unfor­tu­nately named Jon Hamm), Kathy Bates and a mis­cast John Cleese. Kid duty is done by Will Smith’s little boy Jaden who made such an impres­sion in last year’s The Pursuit of Happyness.

I had high hopes for this, based on some evoc­at­ive trail­ers, but the real­ity is a dis­ap­point­ment. The plot­ting is messy and incon­clus­ive and the effects look murky and rushed. The whole thing looks like someone lost con­fid­ence half way through shoot­ing, then decided to cut the budget in half and hope for the best.

Printed in Wellington’s Capital Times on Wednesday 17 December, 2008.

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