Skip to main content
Tag

kathryn bigelow Archives - Funerals & Snakes

Review: Lincoln, Django Unchained, Zero Dark Thirty, Silver Linings Playbook, Anna Karenina, The Impossible and Celeste & Jesse Forever

By Cinema and Reviews

Local audiences can pretend they are Academy voters for the next few weeks because almost all the big nominees are being released at the same time. It’s the NZ way — try and maximise attention for your films while they are still contenders but before they become losers. It makes for a crush at local screens — you may not find the film you want at the time you want — but it also means the odds of seeing something really good are much better than usual.

Lincoln posterSpielberg’s Lincoln is classy old school filmmaking, as you might expect from such a veteran. He’s assembled an A‑team of writers, performers and technical crew to tell one of the most important — and resonant — stories of the last 150 years. Abe Lincoln (Daniel Day-Lewis) has been re-elected to his second term as President and the painful and bloody Civil War is almost won. Why would he risk his considerable political capital to try and pass the Thirteenth Amendment to the constitution — prohibiting slavery — when the slave-owning south is almost defeated and many on his own side don’t feel it is necessary?

Read More

Review: The Hurt Locker, Clash of the Titans, Nowhere Boy & Valentine’s Day

By Cinema and Reviews

The Hurt Locker posterIt took well over 18 months for Kathryn Bigelow’s The Hurt Locker to get a general release in New Zealand – a year in which it steadily built audiences and critical acclaim at worldwide festivals and public screenings. In fact, until it was nominated for a Golden Globe late last year the film had no New Zealand release date scheduled and many film buffs resorted to illicit online sources to try and see (what was being touted) as one of the films of the decade.

This is a worrying trend. Increasingly, some of the best films are heading straight to DVD (sometimes, if the timing works, with a Film Festival screening but not always) and, despite New Zealand having a fine track record for supporting arthouse and thoughtful product, I find myself confronted every week by rubbish like Law Abiding Citizen and Bounty Hunter. Somewhere along the line the distributors have lost their nerve: The Blind Side, which won an Academy Award for Sandra Bullock last month, has only just been given a slot by Roadshow (Warner Brothers). A Serious Man was one of the most brilliant and intelligent films I’ve ever seen and only one print was placed in Wellington – and it was a Coen Brothers Film!

Read More