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kevin macdonald

2012 Wellington Cinema Year in Review

By Cinema

As usu­al, the vagar­ies of hol­i­day dead­lines mean that, just as you are arriv­ing back at work to glee­fully greet the New Year, here I am to tell you all about 2012. The best way to use this page is to clip it out, fold it up and put it in your pock­et ready for your next vis­it to the video shop – that way you won’t go wrong with your rent­ing. Trust me – I’m a professional.

But this year I have a prob­lem. Usually I man­age to restrict my annu­al picks to films that were com­mer­cially released to cinemas. I’ve always felt that it wasn’t fair to men­tion films that only screened in fest­ivals – it’s frus­trat­ing to be told about films that aren’t easy to see and it makes it dif­fi­cult for you to join in and share the love. This year, though, if I take out the festival-only films the great­ness is hard to spot among the only “good”.

As usu­al, I have eschewed a top ten in favour of my pat­en­ted cat­egor­ies: Keepers, Watch Again, Mentioned in Dispatches and Shun At All Costs. In 2012, only two of my nine Keepers (films I wish to have close to me forever) made it into com­mer­cial cinemas and one of them isn’t even really a film.

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Review: State of Play, Synecdoche, New York, I Love You Man, Paul Blart- Mall Cop, Easy Virtue, Bottle Shock, The Escapist, In Search of Beethoven and Trouble Is My Business

By Cinema, Reviews

It’s a little known fact in the movie industry that most cinema releases serve no great­er pur­pose than to provide some advance pub­li­city for an inev­it­able DVD release. This week sev­en new films were released into the Wellington mar­ket and barely more than a couple of them jus­ti­fied tak­ing up space and time on a big movie screen.

I Love You, Man posterFirst up, I Love You, Man – anoth­er in the end­less parade of cash-ins on the for­mula lit­er­ally coined by Judd Apatow with 40-year-old Virgin and Knocked Up. In this ver­sion usu­al side-kick Paul Rudd takes centre-stage as mild-mannered real estate agent Peter Klaven, engaged to be mar­ried but with no Best Man. All his friends are women, you see, and hijinks ensue as he attempts to gen­er­ate some het­ero­sexu­al male friend­ships and get some bro-mance in his life.

The key thing to point out here is that I love You, Man isn’t very funny and is very slow, but it will trot out the door of the video shop when the time comes, thanks to people like me giv­ing it the oxy­gen of pub­li­city. Dash it, sucked in again.

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