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2012 Wellington Cinema Year in Review

By Cinema

This Must Be the Place posterAs usu­al, the vagar­ies of hol­i­day dead­lines mean that, just as you are arriv­ing back at work to glee­fully greet the New Year, here I am to tell you all about 2012. The best way to use this page is to clip it out, fold it up and put it in your pock­et ready for your next vis­it to the video shop – that way you won’t go wrong with your rent­ing. Trust me – I’m a professional.

But this year I have a prob­lem. Usually I man­age to restrict my annu­al picks to films that were com­mer­cially released to cinemas. I’ve always felt that it wasn’t fair to men­tion films that only screened in fest­ivals – it’s frus­trat­ing to be told about films that aren’t easy to see and it makes it dif­fi­cult for you to join in and share the love. This year, though, if I take out the festival-only films the great­ness is hard to spot among the only “good”.

As usu­al, I have eschewed a top ten in favour of my pat­en­ted cat­egor­ies: Keepers, Watch Again, Mentioned in Dispatches and Shun At All Costs. In 2012, only two of my nine Keepers (films I wish to have close to me forever) made it into com­mer­cial cinemas and one of them isn’t even really a film.

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Review: The Artist, El Bulli: Cooking in Progress; The Vow; Safe House; Star Wars: Episode I - The Phantom Menace 3D and Killer Elite

By Cinema and Reviews

The Artist posterTwo of the big three Academy Award con­tenders this year are about look­ing back on the early days of cinema itself. While Scorsese’s Hugo uses the latest tech­nic­al whizz­bangs to bring to life the idea of early cinema and its nov­elty and excite­ment in The Artist, Michel Hazanavicius recre­ates the tech­niques of old Hollywood in search of pure nostalgia.

A painstak­ingly cre­ated silent movie with sev­er­al moments of love­li­ness, The Artist fol­lows the riches to rags story of screen hero George Valentin and the con­cur­rent rags to riches story of star­let Peppy Miller – who tries to catch him as he falls. The per­form­ances of Jean Dujardin and Bérénice Bejo as the two leads are both splen­did, Dujardin in par­tic­u­lar dis­plays a tech­nic­al pre­ci­sion that most act­ors can only dream of.

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