Kiwi crowd-pleasers don’t come much more crowd-pleasing than Tearepa Kahi’s Mt. Zion, featuring TV talent quester Stan Walker in a star-making performance as a working class kid with a dream. Slogging his unwilling guts out picking potatoes in the market gardens of 1979 Pukekohe, nervously making the first steps in a music career that seems impossible and fantasising about meeting the great Bob Marley, Walker’s Turei is out of step with his hard working father (Temuera Morrison) and the back-breaking work.
When a local promoter announces a competition to be the support act for the reggae legend’s forthcoming concert at Western Springs, Turei tests the boundaries of family and friendship to get a shot at the big time. The bones of the story are familiar, of course, but there’s meat on the bones too – a slice of New Zealand social history with economic changes making life harder for a people who don’t own the land that they work. Production design (by Savage) and authentic-looking 16mm photography all help give Mt. Zion a look of its own and the music – though not normally to my taste – is agreeable enough.
The first Kiwi feature of 2013 showcases musical as well as screen talent: Stan Walker stars in Mt. Zion; The hunt for Osama Bin Laden is brought vividly to life in Zero Dark Thirty & Alfred Hitchcock gets a biopic starring Anthony Hopkins – AH as AH.