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nzff

Starlet poster

Cinematica 4/16: On the Road Again!

By Audio, Cinematica

Cinematica_iTunes_200_cropLive at the Paramount, Wellington – Nick Ward reviews The Heat; we inter­view moth­er and daugh­ter Gaylene Preston and Chelsie Preston-Crayford who both have films in the New Zealand International Film Festival, Sean Baker (dir­ect­or of the LA indie Starlet) and Anthony Powell (Antarctica: A Year on Ice).

The House of Radio poster

Preview: 2013 New Zealand International Film Festival

By Cinema, Reviews

Now, I’m risk­ing the ire of the extremely help­ful and gen­er­ous New Zealand International Film Festival team here, but I’m going to recom­mend an approach to festival-going that will prob­ably reward you more than it will them. Here goes: don’t book for any­thing. Don’t plan your life around any par­tic­u­lar screen­ing of any par­tic­u­lar film. Especially, don’t book for any­thing because that’s the one all your mates are going to.

Try this instead. Wake up on any giv­en morn­ing dur­ing the fest­iv­al, feel like watch­ing a movie, have a look through the fest­iv­al cal­en­dar in the middle of the pro­gramme (or the handy-sized mini-guide, avail­able soon) and pick a some­thing you fancy based on the title. Or the cinema closest to you. Or the cinema fur­thest away. Or close your eyes and jab a fin­ger at the page. Either way, step out of your com­fort zone and try some­thing new. You won’t regret it. Well, you might, but prob­ably not for long.

Every year, this is kind of what I do when I ask the fest­iv­al pub­li­city team for help with this pre­view. Give me a stack of screen­er DVDs, I say, or those new-fangled inter­net links where I have to watch a film sit­ting at my desk. No, don’t tell me what they are. Let me guess. Some of my favour­ite fest­iv­al exper­i­ences have come watch­ing films I knew noth­ing about, but for those of you who are going to ignore my advice and, um, take my advice, here are some notes on the films I’ve already seen, in no par­tic­u­lar order.

The House of Radio posterI’m a radio-head from my child­hood. I love radio, listen­ing to it, appear­ing on it, mak­ing it. I love look­ing at stu­di­os, per­ving at micro­phones, the red lights that go on when the mics are live, the silently tick­ing clocks. Watching Nicolas Philibert’s The House of Radio, I was a pig in shit. I don’t think I’ve been as blissed out as this watch­ing a film for ages. It’s one day in the life of Radio France, where seem­ingly dozens of sta­tions share a giant Parisian cathed­ral ded­ic­ated to the wire­less. News, talk, cul­ture, music – clas­sic­al, jazz and hip-hop. Philibert’s polite cam­era peers into their stu­di­os and their offices, even the Tour de France cor­res­pond­ent report­ing live from the back of a motorbike.

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Cinematica 4/11: Entitled Hollywood Idlers Propose Dubious Theology for Laffs

By Audio, Cinematica

Cinematica_iTunes_200_cropThe New Zealand International Film Festival was launched in Auckland and Dan was there. Back at the mul­ti­plex, Seth Rogen, James Franco and Jay Baruchel play them­selves at the end of the world in This Is the End. Viggo Mortensen shows off his Spanish in Everybody has a Plan and James Cromwell has a plan for a house in Canadian drama Still Mine.

Preview: Festivals Far and Near

By Cinema

Today, at the Virginia Theater in Urbana Ill., a few thou­sand cinephiles and Ebert-olytes are gath­er­ing for the first day of the 15th Ebertfest, formerly known as Roger Ebert’s Overlooked Film Festival. I should be with them – I even bought a pass back in November last year – but a change of job meant no annu­al leave and no money for the flight. Normally, I would just say, “there’ll always be next year” but with Mr. Ebert’s recent passing I don’t know if that will be true.

Instead, we turn our atten­tion to loc­al events and there’s plenty to keep us enter­tained on top of all the new com­mer­cial releases. For a start, the new NZFF Autumn Events ini­ti­at­ive  – repla­cing the much-loved (by me) World Cinema Showcase – gets under way today and the fest­iv­al organ­isa­tion were good enough to slip me a few screen­ers so I could tip you off about some of the less-heralded titles. So, I’m going to pre­sume you are already famil­i­ar with Lawrence of Arabia and will be camp­ing out overnight to see the the only two screen­ings of the – reportedly – mag­ni­fi­cent 4k res­tor­a­tion and instead I’ll take a look at a couple of docos and a couple of oth­er features.

The Deep posterI was a little snarky towards the NZFF on Twitter when they announced that Baltasar Kormákur’s The Deep was going to play. After all, the last film of his that loc­al audi­ences got to see was the woe­ful Contraband star­ring Mark Wahlberg. It turns out that was a Hollywood remake of an already suc­cess­ful Icelandic thrill­er that Mr. Kormákur pro­duced and very likely his director’s fee made The Deep pos­sible. So, snark withdrawn.

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