Skip to main content
Tag

predicament

2010 Wellington Cinema Year in Review

By Cinema

So, after trawl­ing through the many thou­sands of words writ­ten about cinema in these pages this year, I sup­pose you want me to come to some con­clu­sions? Do some “sum­ming up”? Help guide you through the great video store of life? Well, alright then. Here goes.

We don’t do Top Ten lists here at the Capital Times – they are reduct­ive, facile and, frankly, you have to leave too many titles out. I have taken to divid­ing my year’s view­ing up into cat­egor­ies: keep­ers are films I want to have in my home and watch whenev­er the mood takes me; renters are the films that I could hap­pily watch again; then there are the films that I enjoyed but am in no hurry to repeat, the films I might have mis­judged first time around, the films I can’t get out of my head (for bet­ter or worse), the films I am sup­posed to love but you know, meh, and most import­ant of all – the films you should avoid as if your very life depends upon it.

First, the keep­ers: a sur­prise for some will be Fantastic Mr. Fox which was released after my 2009 Year in Review was sub­mit­ted and the only film in the list that I already own. Animal Kingdom was the film I most recom­men­ded this year – a stun­ning, tense piece of work that gripped me totally.

Read More

Review: Predicament, The White Ribbon & Piranha 3D

By Cinema, Reviews

The unhappy bard of Hawera, Ronald Hugh Morrieson, died in the sure and cer­tain know­ledge of his own fail­ure. Only one of his four nov­els had been pub­lished (and only in Australia) and the oth­ers lan­guished in obscur­ity. He wasn’t to know that his Taranaki-gothic vis­ions would prove per­fectly adapt­able to the big screen and that no less a Hollywood legend than John Carradine would appear in the first of them, The Scarecrow in 1982. Came a Hot Friday (1985) fol­lowed to huge box office suc­cess but then the Morrieson curse struck again and, due to the vagar­ies of the inter­na­tion­al movie busi­ness, Pallet on the Floor wouldn’t even make it in to cinemas in New Zealand.

Predicament posterHis oth­er nov­el, “Predicament”, has finally made it to the big screen and, I’m sorry to report, that Morrieson him­self might prefer that it hadn’t. It’s Hawera, 1933. A socially repressed New Zealand small town, pleas­ant and pla­cid on the sur­face but teem­ing with petty crims and sly-groggers under­neath. When gawky teen­ager Cedric Williamson’s moth­er died his fath­er (Tim Finn) suffered a break­down and is silently build­ing a huge wooden tower in his front yard.

Read More