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rachel getting married

2009 Wellington Cinema Year in Review

By Cinema

Welcome to the 2010 “cut out and keep” guide to video rent­ing (or down­load­ing or how­ever you con­sume your home enter­tain­ment these days). I sug­gest you clip this art­icle, fold it up, stick it in your wal­let or purse and refer to it whenev­er you are at the video shop, look­ing for some­thing to while away the long winter even­ings of 2010.

First up, the ones to buy – the Keepers. These are the films that (if you share my psy­cho­logy and some of my patho­lo­gies) you will cher­ish until you are old and the tech­no­logy to play them no longer exists. Best film of the year remains Danny Boyle’s Slumdog Millionaire. Mashing togeth­er sev­er­al archetyp­al stor­ies with a vivid visu­al style and a per­cuss­ive energy, Slumdog may not rep­res­ent India as it actu­ally is but instead suc­cess­fully evoked what India feels like, which is argu­ably more import­ant. After Slumdog everything I saw seemed, you know, old-fashioned and noth­ing has been any­where nearly as thrill­ing since. There are films you respect, films you admire and films you love. Slumdog is a film you adore. “Who wants to be a … miy­on­aire?” indeed.

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Online listening tip

By Cinema, Screenwriting

I’ve just got­ten around to listen­ing to the Creative Screenwriting Q&A between Jeff Goldsmith and Rachel Getting Married writer Jenny Lumet and pro­du­cer Neda Armian. It’s an excel­lent con­ver­sa­tion, the two women are frank and hon­est and incis­ive, and there are some lovely stor­ies about the mak­ing of one of my favour­ite films of the year.

Download here or listen below:

[audio:http://media.libsyn.com/media/creativescreenwritingmag/RachelGettingMarriedQandA.mp3]

If you don’t have time to get through to the whole thing ff through to about 41:30 for a great story that inspired the com­pet­it­ive dish­wash­ing scene in the film.

Preview: World Cinema Showcase

By Cinema, Wellington

Too late to be more than 50% use­ful to any­one, here’s my World Cinema Showcase preview:

As sum­mer gives way to autumn, and Daylight Saving Time gently releases its grip on our pri­or­it­ies, the first sig­ni­fic­ant film fest­iv­al of the year returns to take up res­id­ence at the Paramount. The World Cinema Showcase is two very tidy weeks of great filmgo­ing, almost as if the grand, winter, Festival has been dis­tilled down to a man­age­able essence.

Within, 33 fea­tures (and one omni­bus col­lec­tion of shorts) com­pete for your atten­tion and, luck­ily, the long Easter week­end allows you take full advant­age. A few of the titles were made avail­able to crit­ics as pre­views, but many more are on my list of films I simply must see on the big screen and, depend­ing on your tastes and interests, noth­ing is un-recommendable.

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