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salvador allende

Review: No, G.I. Joe: Retaliation, The Host and Hyde Park on Hudson

By Cinema and Reviews

Gael García Bernal in No by Pablo Larraín
No posterNo sounds like the kind of thing a tod­dler in the middle of a tan­trum might say, while stomp­ing around your lounge room at bed­time. At the cinema, though, the tan­trum belongs to the cor­rupt dic­tat­or­ship of Chile’s Augusto Pinochet, forced through inter­na­tion­al pres­sure to let oth­ers play in his sand­pit. In 1988 he announced a ref­er­en­dum that would demon­strate – by fair means or foul – that the people loved him, weren’t inter­ested in demo­cracy and that those who thought dif­fer­ent were noth­ing but com­mun­ists and terrorists.

15 years after he and his mil­it­ary junta over­threw the legit­im­ate left-leaning gov­ern­ment of Salvador Allende, the ques­tion in the ref­er­en­dum would be a simple one: “Yes” to keep the dic­tat­or­ship and “No” for a return to free elec­tions. No, Pablo Larraín’s bril­liant movie, looks at the cam­paign from the per­spect­ive of an ad guy – a Mad Man – played by Gael García Bernal, who har­nessed the latest cor­por­ate sales tech­niques and the power of tele­vi­sion to change the dir­ec­tion of a nation.

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