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Review: Star Trek Into Darkness, Song for Marion, Gambit, Spring Breakers and Maori Boy Genius

By Cinema and Reviews

The 2009 Star Trek reboot went into production on the eve of the writers’ strike and therefore had no right to be as entertaining — or to make as much sense — as it did. In fact, it was so successful that it has become the gold standard of dormant franchise resuscitation and I’m hoping that the lessons — what to honour, what to ignore, the mix of knowing humour and state-of-the-art action — are taken on board by the forthcoming Superman blockbuster Man of Steel.

A re-watch of Star Trek on Wednesday night confirmed my thoughts from the original review. It worked so well, on so many levels, that by the end I was eagerly anticipating my Friday night reunion with Christopher Pine’s Kirk, Zachary Quinto’s Hot Spock, etc. So, it is with a heavy heart then, that I have to report feeling let down by Star Trek Into Darkness. Everything seems a lot more self-conscious than before, as if the filmmakers have just realised that there are a squillion people watching and they’d better not make a mess of things. Which usually means that’s exactly what happens.

Not long after the Federation has been saved in the first film, our heroes are out exploring the galaxy, getting into trouble. As punishment for violating the Prime Directive (and incomplete paperwork), Kirk is relived of the Enterprise command but before he has time to properly lick his wounds, a terrorist bombs Starfleet’s London office and threatens to kick off an intergalactic (intra-galactic?) war with the Klingons.

dying is easy — comedy is hard

It’s the execution that disappoints this time around. The humour feels a bit heavy-handed, the attempts to incorporate beloved elements from the Original Series are clunky and the action is repetitive — there are several last second rescues, for example, and at least two of them involve actual on-screen countdowns. I can’t say more for fear of spoilers but — suffice to say — Star Trek Into Darkness is only a B minus while its predecessor merited an A. Read More

Review: The Three Musketeers, Midnight in Paris, Cave of Forgotten Dreams, Monte Carlo and Tabloid

By Cinema and Reviews

The Three Musketeers posterI don’t know what the French did to be so roundly insulted at the movies this week but I’d advise them to steer clear of Wellington cinemas for a while — perhaps until their film festival gets under way again next year. Firstly, crass action auteur Paul W.S. Anderson (Resident Evil) attempts to reboot a franchise from one of France’s most cherished pieces of literature but then makes The Three Musketeers without a single French person appearing on screen.

Actually, I’m teasing a little as neither the 1993 Charlie Sheen version or the 1973 Oliver Reed one had any significant French involvement, but to populate the latest film with Danes (Mads Mikkelsen), Austrians (Christoph Waltz), Germans (Til Schweiger) and Ukrainians (Milla Jovovich) does seem a bit on the nose.

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