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shia laboeuf Archives - Page 2 of 2 - Funerals & Snakes

Review: Indiana Jones and the Kingdom of the Crystal Skull, Forbidden Lies, The Last Magic Show and 4

By Cinema, Conflict of Interest and Reviews

Indiana Jones posterThe two universes of Steven Spielberg’s biggest films of the 70’s and 80’s collide in Indiana Jones & The Kingdom of the Crystal Skull as Harrison Ford’s ageing Indie and young pretender Shia LaBoeuf race Soviet ice Queen Cate Blanchett to the secret resting place of lost extra terrestrials in the heart of the Amazon. There’s even a subtle “ET Phone Home” reference which I found kind of cute. Entertaining and a little sloppy (in a good way), Indy has a middle-aged pace about it, a noticeable change from the current trend towards frenetic, percussive, music video action, allowing plenty of time to develop inventive ways to get Harrison Ford into, and out of, trouble. I wasn’t too upset with LaBoeuf (he certainly isn’t JarJar Binks bad) but you can see he has a way to go before he can muster the sort of effortless charisma his elders offer.

Forbidden Lie$ posterFollowing the murder of her best friend by her own family in an “honour killing” in Jordan, Norma Khouri escapes to Greece and hastily begins writing a passionate book exposing the practice. The book, Forbidden Love, is published in late 2001 to great acclaim and soon achieves best-seller status but some in Jordan (and in Australia where Norma settles) have questions about the book. Further investigation reveals that nothing in the first 32 words of this paragraph is true and that Norma herself has a more interesting past than she is prepared to own up to. As Norma’s story unravels and the investigation follows her from Bridie Island in Queensland to Chicago and ultimately to Amman in Jordan, you find yourself on a very strange road indeed.

4 posterAnother non-fiction film, of a completely different order, is the classical music documentary 4. Attempting to rescue Vivaldi’s Four Seasons from TVC cliché, director Tim Slade uses the four movements as a structure to build a portrait of four players, four places and the four seasons themselves. At least that’s what I think the idea is. The problem with the film is that there’s not enough music for it to be a great music movie, there’s not enough insight into the players for the portrait part to work and, while the visuals are often quite beautiful, the film seems to miss the point that four seasons are influential on the human psyche because we see those seasons change from our own perspective and location. Still, 4 is a pleasant enough hour and a half.

The Last Magic Show posterA new entry in the digi-indie-home-made kiwi battler category (previous entries include Wairarapa’s When Night Falls last year) is Andy Conlan’s The Last Magic Show. Conlan himself (who also wrote the script) plays Ronnie Roman, an delusional illusionist who may or may not have real mystical powers. His agent, scenery-chewing Michael Hurst, has set him up for a big come-back show but in the interim he is reduced to volunteering at the local hospice and, possibly, falling in love with Nurse March (Georgie Hill). Conlan has a bit of the young Johnny Depp about him in the looks department but, ultimately, his blank performance creates frustration rather than mystery. Good-looking, odd, strangely paced, The Last Magic Show is an intriguing art movie. Perhaps next time, Conlan shouldn’t try and do all the big creative jobs himself — a better director might have challenged him to come up with a few more layers.

Printed in Wellington’s Capital Times on Wednesday 28 May, 2008.

I hereby apologise to regular readers for the paucity of updates but a fierce combination of the flu and managing this year’s 48 Hours Furious Filmmaking competition have wiped me out and I’m only just coming up for air. And, I’m well behind on my feature-watching: Mama’s Boy has already been and gone from local screens.

Nature of conflict: Forbidden Lie$ is distributed in New Zealand by Richard Dalton at Palace Films who is a mate and The Last Magic Show and 4 are distributed by Arkles Entertainment who are mates and who I do occasional work for.

Review: Stardust, Surf’s Up, Bratz, Underdog, Hula Girls, Five Moments of Infidelity and When Night Falls

By Cinema, Conflict of Interest and Reviews

Bratz posterIt’s the school holidays: that time of the year when this reviewer obviously has to atone for the sins of a previous life by sitting through the candy-coated commercialised detritus that we foist on our kids to keep them off the streets.

Firstly, the worst of the lot: Bratz is as toxic as the chinese-made toys that inspired it, a nakedly cynical hymn to consumption, triviality and shallowness. To be avoided at all costs.

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Review: Transformers, Nancy Drew, Starter for 10Eden and Heartbreak Hotel

By Cinema and Reviews

"Transformers" posterAbove the proscenium arch at the Embassy theatre, on either side of the screen, there are two flashing red lights. They’ve been there ever since the Return of the King refurb and I thought they were something to do with the security system — motion sensors perhaps — but after watching Michael Bay’s Transformers on Friday night I got the idea that maybe they are eyes, you know, winking at us.

The Embassy as sentient sentinel — protecting us from evil, ready to transform at a moment’s notice into a giant robot with a really deep voice: as a vehicle for justice, its no more preposterous an idea than the muscle cars, hot rods, tanks and 18-wheelers featured in the film and it might explain that feeling of security I get sinking in to the leather seats.

In the film, Earth has become the battleground for two warring races of robots: the good guy Autobots and the not-so-much Decepticons. The cube that is the source of all their power is hidden somewhere here and the only clue is a pair of antique glasses in the possession of horny high school kid Shia LaBoeuf who the Autobots enlist to help. As you might expect with 30 metre tall robots, keeping their presence secret proves challenging and the attention of the authorities (including a very hammy John Turturro) is soon in full force.

Transformers is big and loud and mostly fun but the age of its target audience seems to change from scene to scene and the more-than-casual racism of the characterisations (every non-white character seems to be a buffoon or a coward or both) is a sour note, thankfully rare these days.

"Nancy Drew" posterEqually white bread, but not quite as insulting, is the latest incarnation of the Nancy Drew stories about the famous teenage girl detective. This time Nancy is played by Julia Roberts’ niece (and creepy Eric’s daughter) Emma and while she’s got a little presence she doesn’t seem to totally know what she’s doing. It’s a fish-out-of-water story as Nancy leaves her small mid-western storybook town for the wilds of Los Angeles and anyone who has ever seen an episode of Scooby-Doo knows what’s going to happen next.

"Starter for 10" posterThe ubiquitous James McAvoy (Last King of Scotland and Becoming Jane) plays Brian Jackson, a working class boy on his way to Bristol University in 1985, in Starter for 10. Determined to get the most out of the experience he trials for the University Challenge tv quiz team, getting a massive crush on the beautiful but shallow Eve in the process. His two best mates are played by two actors from The History Boys which, as they were set at the same time and much of the music is interchangeable, feels like you are watching a weird alternate universe at times. Recommended, but unchallenging.

"Eden" posterTwo minor entries from Europe to finish. Eden is a fable about a brilliant but lonely chef who falls for the unattainable waitress at his favourite café: Food porn with a surprisingly ugly twist at the end.

"Heartbreak Hotel" poster
Colin Nutley’s Heartbreak Hotel is about two 40-something divorcées in Stockholm who strike up an unlikely friendship as they try and navigate the world of the newly-single. Heartbreak Hotel itself is the name of the nightclub they go to, a neon cocktail of the worst aspects of the Courtenay-Blair combination on a Wednesday night.

Printed in Wellington’s Capital Times, Wednesday 4 July, 2007 (Eden and Heartbreak Hotel cut for space, Starter for 10 moved to the Picks section for the same reason).