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Review: The Sessions, Arbitrage, Bait 3D and (regrettably) Alex Cross

By Cinema and Reviews

Ben Lewin’s The Sessions is a very rare beast – an American film that por­trays human sexu­al­ity with hon­esty, sens­it­iv­ity and no hint of pruri­ence. (Actually, writer-director Lewin is a Polish emigré who grew up in Australia and – after a brief career as a bar­ris­ter – went to England in 1971 to make tele­vi­sion, so maybe it isn’t all that American.)

Poet Mark O’Brien was crippled with polio as a child and forced to spend more than 20 hours a day in an iron lung, prac­tising his craft with a pen­cil held between his teeth, rely­ing on care­givers for – almost – every import­ant bod­ily func­tion. Although he spent his life hori­zont­al he wasn’t para­lysed and he could still feel everything that was done to his body – a fact that a pretty nurse giv­ing him his daily wash could prob­ably testi­fy to… As a red-blooded American male in his 30s, his head could get turned by a shapely fig­ure even though his inex­per­i­ence and dis­ab­il­ity meant he was totally lack­ing in romantic confidence.

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Review: Thor, Fast 5, The City of Your Final Destination and Mozart’s Sister

By Cinema and Reviews

There are two main­stream com­ic book pub­lish­ing houses, DC and Marvel, and choos­ing between them as a kid was a bit like choos­ing between The Beatles and the Stones. They had dif­fer­ent styles and sens­ib­il­it­ies (and philo­sophies) and after a little bit of exper­i­ment­a­tion you could find a fit with one or the other.

DC had Superman and Batman – big, bold and (dare I say it) one-dimensional char­ac­ters with lim­ited or opaque inner lives. When Stan Lee cre­ated Spider-Man, a teen­age pho­to­graph­er with powers he neither asked for nor appre­ci­ated, he cre­ated a soap opera – a soap opera with aspir­a­tions to high art. As you might be able to tell, I was a Marvel kid.

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