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Review: Attack the Block, The Women on the 6th Floor, The Lorax, Mirror Mirror and Wrath of the Titans

By Cinema and Reviews

Attack the Block posterIt has taken ten months for Joe Cornish’s brilliant Attack the Block to make its way to New Zealand and one of the first questions will be, is there still an audience left for it considering the most rabid fans will have found — licit and illicit — ways to watch it months ago. I certainly hope there is because Cornish has produced a highly original take on a classic genre — a low-budget alien invasion movie that is thrilling, funny and socially aware.

It’s Guy Fawke’s Night and the attempted mugging of off-duty nurse Sam (Jodie Whittaker) is interrupted by a the explosive arrival of a strange creature. The leader of the young hoodlums, Moses (a star-making performance by John Boyega), manages to kill the beast and they take the carcass as a trophy, not realising that there are others following — and that they will want revenge.

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Review: Arthur Christmas, Immortals, When a City Falls, Rest for the Wicked and Submarine

By Cinema and Reviews

I believe that it should be illegal to even mention the word Christmas in any month other than December. Yup, illegal. No one should be allowed to even breathe it, let alone have parades, display mince pies in supermarkets or throw staff parties. If, as a once-great nation, we can restrict firework sales to three days before Guy Fawkes I’m sure we can manage to pull our collective yuletide-obsessed heads in for a few weeks and focus all that attention on only one month a year.

Arthur Christmas posterAt least that’s what I thought until last Friday. That was when I saw the new picture from England’s Aardman Animation, Arthur Christmas. I was prepared, based on my aforementioned bah-humbuggery — and some unprepossessing trailers — to be scornful and yet I was won over. Won over to the extent that I might as well be wrapped in tinsel with a fairy on top. Arthur Christmas made me believe in Christmas a week before I was ready.

This film is digital 3D rather than the stop-motion clay models that made Aardman famous, but the invention, wit, pace, structure and commitment to theme are all securely in place, brought to life by an awesome UK voice cast (Jim Broadbent and Bill Nighy both do outstanding work) and some brilliantly clever visuals.

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