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Jan 15 2010
Love0

2009 Wellington Cinema Year in Review

By Cinema

Welcome to the 2010 “cut out and keep” guide to video rent­ing (or down­load­ing or how­ever you con­sume your home enter­tain­ment these days). I sug­gest you clip this art­icle, fold it up, stick it in your wal­let or purse and refer to it whenev­er you are at the video shop, look­ing for some­thing to while away the long winter even­ings of 2010.

First up, the ones to buy – the Keepers. These are the films that (if you share my psy­cho­logy and some of my patho­lo­gies) you will cher­ish until you are old and the tech­no­logy to play them no longer exists. Best film of the year remains Danny Boyle’s Slumdog Millionaire. Mashing togeth­er sev­er­al archetyp­al stor­ies with a vivid visu­al style and a per­cuss­ive energy, Slumdog may not rep­res­ent India as it actu­ally is but instead suc­cess­fully evoked what India feels like, which is argu­ably more import­ant. After Slumdog everything I saw seemed, you know, old-fashioned and noth­ing has been any­where nearly as thrill­ing since. There are films you respect, films you admire and films you love. Slumdog is a film you adore. “Who wants to be a … miy­on­aire?” indeed.

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Apr 20 2009
Love0

Review: The Reader, The Boat That Rocked, Dragonball Evolution and Race to Witch Mountain

By Cinema and Reviews

The Reader posterIf you are on the look out for an intel­li­gent, ser­i­ous and impress­ively well-made drama that will stim­u­late and move you (and of course you are, or you wouldn’t be read­ing this) then The Reader will fit your bill per­fectly. The last of the big Oscar con­tenders to hit our shores, this is a ver­sion of the best-selling nov­el which put the German struggle to come to terms with the crimes of the Nazis centre stage. The adapt­a­tion (by British play­wright and screen­writer David Hare) also does this but some­thing else as well – it becomes a med­it­a­tion on all kinds of guilt and shame as well as the com­plex inter­ac­tion between the two.

In 1958, school­boy Michael Berg falls ill and is helped by a stranger (the extraordin­ary Kate Winslet). After his recov­ery, three months later, he returns to thank her and they begin an affair that lasts the final sum­mer of his child­hood. Between bouts of love­mak­ing she demands he read to her, telling her the stor­ies and plays he is study­ing at school. Several months later she dis­ap­pears, break­ing poor Michael’s heart, only to return to his life eight years later in a Berlin courtroom, on tri­al for war crimes.

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