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the town

Review: Savages, Where Do We Go Now? and Kiwi Flyer

By Cinema, Reviews

Savages posterOliver Stone dir­ec­ted his first fea­ture film in 1974 (Seizure) so I’m going to be char­it­able and assume that the clunky con­struc­tion of the scenes in his new film, Savages, is delib­er­ate. I ima­gine that with all his exper­i­ence, it would be easi­er to make shots match than to be as sloppy as they appear here. Perhaps it’s a heavy-handed ref­er­ence to being stoned, see­ing as the film is about big time California can­nabis grow­ers being tar­geted for takeover by a Mexican car­tel. Or per­haps not.

Bright young things Aaron Johnson (John Lennon in Nowhere Boy) and Taylor Kitsch play the part­ners in a med­ic­al marijuana busi­ness that makes its real money by illeg­ally export­ing the high grade product across state lines. Johnson is the brains and Kitsch is Iraq and Afghanistan vet­er­an muscle. As an aside, Kitsch must be won­der­ing what he has to do to get a hit. Three big films this year and they have all been duds – John Carter, Battleship and this. It’s not his fault – he’s been decent in all of them, par­tic­u­larly so in this – but I’m sure he’s run­ning out of Friday Night Lights cred­it with the stu­di­os. Johnson, on the oth­er hand, once again fails to mine much depth from his character.

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Review: Eat Pray Love, Buried and The Town

By Cinema, Reviews

Eat Pray Love posterEat Pray Love is what they used to call, in the old days, a “women’s pic­ture” and the advert­isers who have paid good money to annoy audi­ences before the film make sure you know it: fem­in­ine hygiene products. A chro­mo­somal anom­aly on my part means that I’m not in the tar­get mar­ket for this film (or the best­selling book that inspired it) but I’ll give it a go. Manfully.

Julia Roberts plays Liz, a phe­nom­en­ally bad play­wright and (sup­posedly) suc­cess­ful author who has a crisis and ends her (sup­posedly) unsat­is­fact­ory mar­riage to bewildered and hurt Billy Crudup. Never hav­ing lived without a man in her life she goes straight into a rela­tion­ship with hand­some and spir­itu­al young act­or James Franco.

Still unhappy, and a source of enorm­ous frus­tra­tion to her eth­nic­ally diverse best friend Viola Davis (Doubt), she uses her share of the Crudup divorce to take a year off and find her­self – Italy for the food, India for the guru and Bali for Javier Bardem.

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“I was on the bottom of everyone’s list.”

By Asides, Cinema, TV

Jon Hamm (“Mad Men”) describes the life of a not-very-successful Hollywood act­or in The Guardian:

And there’s this hideous thing they make you do when you go up for a tele­vi­sion show: they make you sign a con­tract before you walk into the final audi­tion. The last thing they want is for you to have every­one fall in love with you, and then you not have a deal in place. So you sign this thing – and I had no money; I was broke. You’re star­ing at the five-figure pay cheque you’ll get… if… If! A crazy amount of money for someone who has none. So I was think­ing: I’ll pay my loans off and do this and that and maybe get my car fixed… and by that time they’re call­ing you in, you’re like: ‘Shit! I have to do the scene! What the fuck are the lines?’ I would get hung up on that stuff and be an utter fail­ure in the room.”

Hamm dis­plays an admir­able amount of self-awareness in this inter­view, pro­mot­ing his new fea­ture film The Town (dir­ec­ted by Ben Affleck). Part of Hamm’s suc­cess as Don Draper is the tiny amount of “I can­’t quite believe this is hap­pen­ing to me” he man­ages to project.

Hat-tip to The Story Department.