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tom ford

Review: The Losers, Every Jack Has a Jill and A Single Man

By Cinema and Reviews

This week’s review comes to you from sunny/rainy Auckland where your cor­res­pond­ent is catch­ing up with old friends and enjoy­ing the Auckland cinema scene. The first thing to report is that audi­ence beha­viour in the 09 is as selfish and imma­ture as it is at home. Texting and talk­ing is as pre­val­ent at com­mer­cial films like The Losers (screen­ing at the oth­er­wise well-appointed Sky City St Lukes) as in Wellington.

The Losers posterThe Losers itself would be an easy film to avoid if it wasn’t the only not­able Hollywood release of the week. A crack com­mando squad are hung out to dry by mys­ter­i­ous forces back in Washington. Somehow they have to get back stateside, clear their names and take their revenge on the shad­owy mas­ter­mind who tries to des­troy them. Sound famil­i­ar? Yes, it’s The A‑Team and a remake of that comes out in a week or two so you can safely bypass this low-rent ver­sion fea­tur­ing some B‑list stars like Jeffrey Dean Morgan (Watchmen ), Chris Evans (Fantastic 4) and the bland­est super vil­lain in his­tory, Jason Patric (Speed 2).

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2009 Wellington Cinema Year in Review

By Cinema

Welcome to the 2010 “cut out and keep” guide to video rent­ing (or down­load­ing or how­ever you con­sume your home enter­tain­ment these days). I sug­gest you clip this art­icle, fold it up, stick it in your wal­let or purse and refer to it whenev­er you are at the video shop, look­ing for some­thing to while away the long winter even­ings of 2010.

First up, the ones to buy – the Keepers. These are the films that (if you share my psy­cho­logy and some of my patho­lo­gies) you will cher­ish until you are old and the tech­no­logy to play them no longer exists. Best film of the year remains Danny Boyle’s Slumdog Millionaire. Mashing togeth­er sev­er­al archetyp­al stor­ies with a vivid visu­al style and a per­cuss­ive energy, Slumdog may not rep­res­ent India as it actu­ally is but instead suc­cess­fully evoked what India feels like, which is argu­ably more import­ant. After Slumdog everything I saw seemed, you know, old-fashioned and noth­ing has been any­where nearly as thrill­ing since. There are films you respect, films you admire and films you love. Slumdog is a film you adore. “Who wants to be a … miy­on­aire?” indeed.

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