This year the summer holidays seemed to have been owned by the unlikely figure of T.J. Miller, deadpan comedian, supporting actor and eerily familiar background figure. In Yogi Bear he was the ambitious but dim deputy park ranger easily duped by Andrew Daly’s smarmy Mayor into helping him sell out Jellystone to corporate logging interests, in Gulliver’s Travels he was the ambitious but as it turns out dim mail room supervisor who provokes Jack Black into plagiarising his way into a fateful travel writing gig and in Unstoppable he’s the slightly less dim (and certainly less ambitious) mate of the doofus who leaves the handbrake on and then watches his enormous freight train full of toxic waste roll away.
So, a good summer for T.J. Miller then, what about the rest of us?
With the big budget Hollywood remake already in production (starring Rusty Crowe), Anything for Her looked like it might have had some entertainment potential but I’m sad to report that it never gets up to speed.
The blissful lives of school teacher Julien (Vincent Lindon) and Lisa (Diane Kruger) are, as they say, shattered when Lisa is wrongly convicted of murder. With no possibility of legal redress, and a rapidly deteriorating mental state, it looks like Diane won’t be able to stand 20 years in the big house and Julien has to act to save her and the family – the two of them plus cute little Oscar played by the wonderfully named Lancelot Roch.
Somewhat implausibly, Julien hatches a plan to boost his Mrs from jail and escape the country to somewhere with no extradition. Despite no previous criminal experience, Julien obsesses over all the details until his plan comes together. Advice from a local criminal turned author (“don’t improvise if you don’t have the criminal mindset”) has to be ignored when circumstances change suddenly.
I can see this working with Crowe (and Elizabeth Banks and Liam Neeson). These sorts of tales told by Hollywood are always barely a step away from pure fantasy and it’s much easier to get carried along by the hokum. The French version is so grounded in a recognisable reality that the plot and characters don’t make any sense at all. Lindon is a great actor. He’s soulful, ruggedly good looking, and deeply intense but, paradoxically, the more real he tries to make the character the less you can believe what’s going on. Because it’s preposterous.
Printed in Wellington’s Capital Times on Wednesday 28 April, 2010.