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Oct 31 2015
Love16

RNZ Widescreen: a week of updates

By Asides

This week at my new Radio New Zealand (sorry, RNZ) gig, we star­ted post­ing some actu­al content.

First up we star­ted our “Best of the web” fea­ture, fea­tur­ing links to inter­est­ing online art­icles about “what ‘cine­mat­ic’ means in rela­tion to TV”, an essay about Spielberg and ‘fath­ers and sons’, and the ori­gins of Del Toro’s Crimson Peak.

Then on Tuesday we pos­ted our first video review: Cary Fukunaga’s new fea­ture (made for Netflix), Beasts of No Nation.

 

It’s worth going to the actu­al page at RNZ because I add some extra links there but the video plays big­ger here (at least until the RNZ redesign arrives).

On Wednesday, we learned of the death of crit­ic Philip French and assembled links to some of the best art­icles about one of the greatest film crit­ics ever.

On Friday, we pos­ted our second video review: Spielberg’s Bridge of Spies, star­ring Tom Hanks.

 

Again, there are some links to extras on the page itself.

And this after­noon, I put up our “Best of the week” fea­tur­ing a couple of art­icles about Daniel Craig as Bond, Andrew Todd on Andrzej Zulawski’s Possession, just in time for Halloween, and a fas­cin­at­ing art­icle on how to get silent film frame rates right in the digit­al age.

Oct 21 2015
Love16

Welcome to Widescreen!

By Cinema, meta and Video

After a few weeks of devel­op­ment, test­ing, angst and aggro, I can finally announce the new pro­ject I’ve been cook­ing up at Radio New Zealand. Here’s a short trail­er video explain­ing what it’s all about.

 

As an added bonus, if you can name all the films and TV shows fea­tured in the above clip, email the list to widescreen@radionz.co.nz and go into the draw to win a DVD prize pack fea­tur­ing half a dozen of those included.

You can also con­tact us with sug­ges­tions and com­ments at the same address, or you can give us 140 char­ac­ter feed­back at @WidescreenRNZ on Twitter.

Here’s the page at the RNZ site.

Rancho Notorious is included in the RNZ deal but still avail­able here (of course). I’ll be post­ing all my oth­er Widescreen con­tent here too because, why not?

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