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anthony mackie

Only God Forgives poster

Review: Pain & Gain, Only God Forgives, The Wolverine, The Way Way Back, The Conjuring & Byzantium

By Cinema and Reviews

Ryan Gosling in Only God Forgives (2013).

Still Mine posterStill hov­er­ing around some loc­al cinemas – and the longest-delayed of all my out­stand­ing reviews – Still Mine is a sur­pris­ingly effect­ive Canadian drama about an eld­erly man (James Cromwell, 73 but play­ing a fit 89) determ­ined to build a new house for his wife (Geneviéve Bujold) before her memory deserts her com­pletely. Cromwell gives his char­ac­ter a soft­ness which belies the usu­al ornery old dude clichés, even if his stub­born refus­al to sub­mit to the build­ing code is the device on which the story hinges. Contains lots of shots of Cromwell’s hero­ic pro­file star­ing off into the New Brunswick distance.

Ping Pong posterOlder people are, para­dox­ic­ally, the only grow­ing seg­ment of the film audi­ence in New Zealand so there’s often high qual­ity fare around the tempt them. One of the best is the doc­u­ment­ary Ping Pong, about com­pet­it­ors (genu­ine com­pet­it­ors at that) in the World Over 80s Table Tennis Championship in Inner Mongolia. Like any good doc­u­ment­ary it assembles a great cast of char­ac­ters and like all good sports movies it makes full use of the built-in drama of a knock-out tour­na­ment. Not just about the res­tor­at­ive power of exer­cise, it’s also about friend­ship and adven­ture. Inspiring, so help me.

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Review: The Hurt Locker, Clash of the Titans, Nowhere Boy & Valentine’s Day

By Cinema and Reviews

The Hurt Locker posterIt took well over 18 months for Kathryn Bigelow’s The Hurt Locker to get a gen­er­al release in New Zealand – a year in which it stead­ily built audi­ences and crit­ic­al acclaim at world­wide fest­ivals and pub­lic screen­ings. In fact, until it was nom­in­ated for a Golden Globe late last year the film had no New Zealand release date sched­uled and many film buffs resor­ted to illi­cit online sources to try and see (what was being touted) as one of the films of the decade.

This is a wor­ry­ing trend. Increasingly, some of the best films are head­ing straight to DVD (some­times, if the tim­ing works, with a Film Festival screen­ing but not always) and, des­pite New Zealand hav­ing a fine track record for sup­port­ing art­house and thought­ful product, I find myself con­fron­ted every week by rub­bish like Law Abiding Citizen and Bounty Hunter. Somewhere along the line the dis­trib­ut­ors have lost their nerve: The Blind Side, which won an Academy Award for Sandra Bullock last month, has only just been giv­en a slot by Roadshow (Warner Brothers). A Serious Man was one of the most bril­liant and intel­li­gent films I’ve ever seen and only one print was placed in Wellington – and it was a Coen Brothers Film!

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