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2012 Wellington Cinema Year in Review

By Cinema

As usu­al, the vagar­ies of hol­i­day dead­lines mean that, just as you are arriv­ing back at work to glee­fully greet the New Year, here I am to tell you all about 2012. The best way to use this page is to clip it out, fold it up and put it in your pock­et ready for your next vis­it to the video shop – that way you won’t go wrong with your rent­ing. Trust me – I’m a professional.

But this year I have a prob­lem. Usually I man­age to restrict my annu­al picks to films that were com­mer­cially released to cinemas. I’ve always felt that it wasn’t fair to men­tion films that only screened in fest­ivals – it’s frus­trat­ing to be told about films that aren’t easy to see and it makes it dif­fi­cult for you to join in and share the love. This year, though, if I take out the festival-only films the great­ness is hard to spot among the only “good”.

As usu­al, I have eschewed a top ten in favour of my pat­en­ted cat­egor­ies: Keepers, Watch Again, Mentioned in Dispatches and Shun At All Costs. In 2012, only two of my nine Keepers (films I wish to have close to me forever) made it into com­mer­cial cinemas and one of them isn’t even really a film.

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Review: Argo, The Intouchables, Fresh Meat, It’s a Girl, Shadow Dancer and Mental

By Cinema, Reviews

Near the end of 1979, the new hard­line rulers of Iran – incensed by the US government’s sup­port for the pre­vi­ous des­pot – stormed the embassy in Teheran and held the occu­pants host­age for over a year, long enough to wreck President Jimmy Carter’s attempt at re-election and to define American rela­tions with the Persian Gulf for anoth­er thirty years. That side of the story is rel­at­ively well-known. The secret story of the six embassy staff who escaped, hid in the Canadian ambassador’s house, and were then spir­ited out of the coun­try dis­guised as a Hollywood film crew? Not so much.

Thanks to the recent declas­si­fic­a­tion of the CIA and State Department files, the weird and won­der­ful story of Argo can be told, and – this being a Hollywood story about a Hollywood story – it gets a bit of a punch-up to make sure none of the enter­tain­ment poten­tial is wasted. So now, Argo is “inspired by a true story” rather than “based on a true story” and it is also the smartest and most enter­tain­ing Hollywood pic­ture for grown-ups this year.

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Telluride Diary part four: The show (part one)

By Cinema, Travel

After two days of “phony war” with even­ing teas­er screen­ings in the Ralph Lauren-funded Elks Park Abel Gance Cinema, Telluride got under way form­ally yes­ter­day with a full slate of screen­ings at all nine venues.

The “unof­fi­cial” pro­gramme – a 90 page news­print guide fea­tur­ing a mostly-there draft of the sched­ule – was made avail­able on Thursday and a press release had announced the names of the three hon­our­ees and the main fea­tures, but there were still a large num­ber of slots marked “TBA” includ­ing almost all of Monday. Even then, we were told not to put too much faith in the unof­fi­cial guide and to wait for the glossy DLE pro­gramme which would be avail­able at Noon on Friday – the first day of the festival!

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