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ben mendelsohn

Review: Killing Them Softly, The Angels’ Share, Safety Not Guaranteed, Frankenweenie, Paranormal Activity 4 and God Bless America

By Cinema, Reviews

Andrew Dominik was born in Wellington but shipped out at the age of two for Australia. We really need to claim him back as he’s one of the most intriguing dir­ect­ors cur­rently work­ing. Perhaps that should be “rarely work­ing” as his latest, Killing Them Softly, is only his third fea­ture cred­it in 12 years. Chopper turned heads in 2000 and got him to Hollywood. The Assassination of Jesse James by the Coward Robert Ford was an ele­gi­ac adapt­a­tion of a great nov­el, the screen ver­sion echo­ing great late-period west­erns like Heaven’s Gate and The Long Riders.

In Killing Them Softly, Dominik remains in genre ter­rit­ory but again he is tran­scend­ing and sub­vert­ing it. It’s a gang­ster flick fea­tur­ing a bunch of famil­i­ar fig­ures – James Gandolfini (The Sopranos), Ray Liotta (Goodfellas), Ben Mendelsohn (Animal Kingdom). You see those names on the cast list and you think you know what you’re going to get, but here they stretch out in supris­ing dir­ec­tions, reveal­ing lay­ers of human­ity no less ugly than the clichéd bang-bang we are used to, but truer, sad­der and ulti­mately more trenchant.

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Review: Animal Kingdom, The Sorcerer’s Apprentice, Despicable Me, Grown Ups, Mother and Child and Gordonia

By Cinema, Reviews

Animal Kingdom posterWhen the Film Festival screen­ing of Animal Kingdom fin­ished, my com­pan­ion and I turned to each oth­er and real­ised that neither of us had breathed for the last five minutes. The ten­sion that had been slowly build­ing through­out the film had become almost unbear­able and dir­ect­or David Michôd’s Shakespearean cli­max was no less than the rest of the film deserved.

Seventeen-year-old “J” (extraordin­ary new­comer James Frecheville) goes to live with his Gran and his Uncles when his Mum over­doses. The fam­ily are more than petty crim­in­als but less than gang­land roy­alty – bank rob­bers and thugs rather than black eco­nomy busi­ness­men. Gran (Jacki Weaver) seems like a nice enough sort, though, and the fam­ily pulls togeth­er des­pite the con­stant pres­sure from the loc­al fuzz.

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