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Review: Arrietty, Taken 2, On the Road, Life in Movement, Searching for Sugar Man, The Last Dogs of Winter and The Words

By Cinema and Reviews

After an intense week­end run­ning from pic­ture theatre to pic­ture theatre between – and some­times dur­ing – rain showers, I have now caught up on everything in cur­rent loc­al release. Except Tinker Bell and the Secret of the Wings but a Twitter cor­res­pond­ent assures me: “Just FYI my 5 year old great niece loved it so much she stood up at the end clap­ping & dancing…you should go you’ll love it ;)” and that review might just have to do for now.

Arrietty posterA little harder to track down than Tinker Bell, Madagascar 3 or Hotel Transylvania – but well worth the effort – is Arrietty, a Studio Ghibli anim­ated adapt­a­tion of The Borrowers, Mary Norton’s fam­ous children’s book about tiny people liv­ing under a house who are dis­covered by a frail young boy who needs a friend. Beautifully anim­ated – as always – and told with emo­tion and sim­pli­city, Arrietty is a fine altern­at­ive to those over-hyped Hollywood con­fec­tions. The ver­sion play­ing in Wellington is the English voiced one fea­tur­ing Saoirse Ronan, Olivia Colman and Mark Strong – much easi­er on the ears than the American voices and much easi­er to fol­low for the lit­tlies than the ori­gin­al Japanese.

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Review: Robin Hood, The Secret in Their Eyes & four more ...

By Cinema and Reviews

Robin Hood posterWhen my usu­al movie-going part­ner was offered the chance to see the new Robin Hood her first ques­tion was “Who is play­ing Robin?” When I told her that it was Strathmore’s finest son, Russell “Rusty” Crowe, she declined sug­gest­ing some­what unchar­it­ably that he was prob­ably bet­ter suited to play­ing Friar Tuck (or at a pinch Little John). Her favour­ite Robin is the 80s be-mulletted Michael Praed from the tele­vi­sion. Mine is a toss-up between the “fant­ast­ic” sly fox in the 1973 Disney ver­sion, John Cleese in Time Bandits and Sean Connery in Robin and Marian, so Rusty and dir­ect­or Ridley Scott had a moun­tain to climb before the open­ing cred­its even rolled.

This new Robin Hood is a pre­quel (or an ori­gin story in the com­ic book par­lance). On his way back from the Crusades with Richard the Lionheart, Robin Longstocking (sorry, Longstride) heads to Nottingham to return a sword. In Richard’s absence, England has fallen in to fin­an­cial and polit­ic­al ruin and the French are plot­ting to fill the void with an army mass­ing off the coast and spies in the court.

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