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Preview: 18th Italian Film Festival

By Cinema

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Feel like vis­it­ing some­where new but don’t have the time or money right now? A film fest­iv­al is the next best thing. If you want to under­stand a coun­try and its cul­ture it’s hard to go past watch­ing their com­mer­cial cinema – their mul­ti­plex and block­buster fare rather than the arthouse.

18th Italian Film Festival posterThat’s why the region­al film fest­ivals are so import­ant – and the Italian Film Festival is king with attend­ance num­bers every year that are great­er than all the oth­er region­al fest­ivals put togeth­er. Festival dir­ect­or Tony Lambert has been at this for over a dozen years and his for­mula works – a well-constructed sur­vey of the cur­rent Italian cinema fea­tur­ing broad com­ed­ies, romances and his­tor­ic­al dra­mas. These are the films that Italians have been watching.

This year’s fest­iv­al opens at the Paramount on the 9th of October with a gala screen­ing of Welcome to the North (a sequel to the 2010 smash hit Welcome to the South, itself a remake of the French com­edy Welcome to the Sticks). After that we have two and a half weeks of screen­ings with most films play­ing four or five times.

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Review: Arrietty, Taken 2, On the Road, Life in Movement, Searching for Sugar Man, The Last Dogs of Winter and The Words

By Cinema, Reviews

After an intense week­end run­ning from pic­ture theatre to pic­ture theatre between – and some­times dur­ing – rain showers, I have now caught up on everything in cur­rent loc­al release. Except Tinker Bell and the Secret of the Wings but a Twitter cor­res­pond­ent assures me: “Just FYI my 5 year old great niece loved it so much she stood up at the end clap­ping & dancing…you should go you’ll love it ;)” and that review might just have to do for now.

Arrietty posterA little harder to track down than Tinker Bell, Madagascar 3 or Hotel Transylvania – but well worth the effort – is Arrietty, a Studio Ghibli anim­ated adapt­a­tion of The Borrowers, Mary Norton’s fam­ous children’s book about tiny people liv­ing under a house who are dis­covered by a frail young boy who needs a friend. Beautifully anim­ated – as always – and told with emo­tion and sim­pli­city, Arrietty is a fine altern­at­ive to those over-hyped Hollywood con­fec­tions. The ver­sion play­ing in Wellington is the English voiced one fea­tur­ing Saoirse Ronan, Olivia Colman and Mark Strong – much easi­er on the ears than the American voices and much easi­er to fol­low for the lit­tlies than the ori­gin­al Japanese.

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