Blu-rayDVDHousekeeping

Mr. B in Blu

By December 21, 2010No Comments

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  • The Siren says:

    Ah, what a great shot of the great man. One burn­ing ques­tion w/r/t the disc extras: how do the French pro­nounce “Borzage”?

  • Kent Jones says:

    Actually, I met Vincent, who runs Carlotta, a couple of weeks ago. He pro­nounces the name as every­oe else does: bore-ZAY-ghee.

  • The Siren says:

    Kent, oh well, so much for my hopes for an exot­ic twist. I’m par­tial to French accents. Love French TV announ­cers intro­du­cing clas­sic Hollywood films; the famil­i­ar names in that accent give me a silly thrill, as in “Neek-oh-lahsss Wrrray.” And on the two occa­sions I’ve re-watched Contempt I wait for Piccoli to say he’s wear­ing his hat in the bath like “Deean Martahn in Some Came Runneeng.”
    In a per­fect world, in fact, that audio would accom­pany one’s first click on this site.

  • Johan Andreasson says:

    Speaking of TV, I’m guess­ing the shot of the great man is from Screen Director’s Playhouse. I remem­ber a sim­il­ar image of Allan Dwan from the open­ing of his epis­ode “High Air” in the Carlotta Dwan box.

  • bill says:

    Of Borzage’s films, I’ve only seen THE MORTAL STORM, but my reac­tion to it was basic­ally “Yes, well, he should be bet­ter known, should­n’t he?” I have MOONRISE and SECRETS saved on DVR, and I’m look­ing for­ward to them.

  • skelly says:

    Secrets is an odd one; more of a Mary Pickford van­ity pro­ject (her final star­ring vehicle fin­anced by her; neither a fail­ure nor a swan song) that your typ­ic­al Borzage. It’s divided in three very dis­tinct sec­tions – only the middle por­tion did much for me. Moonrise is, how­ever, very great.

  • Kent Jones says:

    Well Siren, if it’s any com­fort, some people do still say “Bore-ZAAAHHHJJJ.”

  • Jeff says:

    Criterion has the rights to History is Made at Night. Hopefully they can find some decent look­ing source materials.

  • Asher says:

    TCM had SUNNYSIDE UP, a 1929 Gaynor-Farrell pair­ing, on tonight, and it was so good that I simply assumed it was a minor Borzage. Not the case though. But it had the same DP as SEVENTH HEAVEN and STREET ANGEL, which per­haps accounts for the resemb­lance. It’s a music­al, some­thing which neither Gaynor nor Farrell (espe­cially Farrell, who does­n’t handle sound well at all) were too cut out for, but it had a lot of lovely, and unex­pec­tedly tech­nic­ally showy, passages.

  • Grant L says:

    I dunno, I can ima­gine a French per­son hav­ing a field day pro­noun­cing Bor-za-gee…

  • Nicolas Leblanc says:

    Oh, Siren, I under­stand. It’s the same for me with Americans and JON-LOOK GÔDAAHRDE.
    The work of Mr. Bore-ZAY-ghee is mostly unknown to me, and I still don’t have a blu-ray play­er and ah… maybe next Christmas.

  • pvitari says:

    Asher, Sunny Side Up’s pro­duc­tion design­er was Harry Oliver, who also designed the three great Borzage silents with Farrell and Gaynor (as well as The River and City Girl). There’s one shot in par­tic­u­lar of Farrell (from the back) lean­ing over a tene­ment bal­cony watch­ing Gaynor in long­shot doing her little song and dance that recalled very strongly his work on those silent films and even had a bit of their expres­sion­ist flavor.
    Oliver was a fas­cin­at­ing char­ac­ter who gave up Hollywood and went to live on a ranch and pub­lished issues of a little one man pub­lic­a­tion called Harry Oliver’s Desert Rat Scrap Book filled with tales and folk­lore of the West. You can read all about Oliver and The Desert Rat Scrap Book at http://www.klaxo.net/hofc/hofc.htm. The site has a lot of links to related inform­a­tion, and if you click on http://www.klaxo.net/hofc/other/holly.htm and scroll down to “Lindblade Photos, early 1960s” you will see two pho­tos of a much older Oliver and Charles Farrell.
    Wonderful stuff!
    And Sunny Side Up was indeed a big hit at the TCM Film Festival last April.

  • Asher says:

    There was a very expres­sion­ist bit dur­ing Gaynor’s per­form­ance after she’s been told the Southampton grandees are gos­sip­ing about her; she looks out into the audi­ence and sees them as if through insect eyes, each face blurred and mul­ti­plied dozens of times.

  • David Hare says:

    Glenn as you did­n’t men­tion it I will – not­ably the oth­er two Borzage TV shorts for the American Directors series: A Ticket for Thaddeus and Day is Done which are respect­ively on the Seventh Heaven and Street Angel Blu Ray discs as extras. And all three shorts are in HD!

  • Glenn Kenny says:

    Well worth men­tion­ing. Thanks David.