AestheticsGreat ArtSome Came Running by Glenn Kenny

On sealing one’s fate

By September 10, 2010January 12th, 20266 Comments

Lawrence I


Lawrence II 

Ryuichi Sakamoto and David Bowie and David Bowie and Ryuichi Sakamoto in Merry Christmas, Mr. Lawrence, Nagisa Oshima, 1983.

More than just a wartime parable, really just one of the most existentially unsettling films, or works of art period, ever made; I think its utter unflinching uncomfortableness is a reason why it's not more acknowledged. I am very glad of Criterion's new presentation of it and hope to write a bit more extensively on it soon.

6 Comments

  • Chris O. says:

    With the exception of EMPIRE OF PASSION (or IN THE REALM OF PASSION per the DVD I have), I am sadly way too Oshima-ignorant. But not for long, IN THE REALM OF THE SENSES is in the mail ($23.49 at Amazon right now — actually, there are a few Criterion Blu Rays at decent prices right now) and I so look forward to this one, of which I have witnessed a few scenes courtesy of a friend. I also must delve into the recent Eclipse OUTLAW SIXTIES set sooner than later. Thanks for the reminder.

  • Oliver_C says:

    Also one of the great Sakamoto scores, which seems to have influenced Joe Hisaishi greatly.

  • bill says:

    Also very looking forward to finally seeing this one.

  • Phil Freeman says:

    Never seen this movie. Interviewed Sakamoto once a few years back, though. A thoroughly fascinating dude.

  • Castle Bravo says:

    Bowie is whispering in Sakamoto’s ear that one day they’ll both get to appear in Mark Romanek music videos.

  • Having never seen this, but I am looking forward to checking it out when it does arrive…or until B&N has another 50% off sale, cos $40 a pop in Canada is ridiculous.

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