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Gravity poster

Review: Gravity, Mr. Pip, Grown Ups 2, Battle of the Year 3D and 2 Guns

By Cinema and Reviews

Gravity movie still

Gravity posterIs Gravity the first really new film of the 21st Century? I hazard it may be. It is certainly the first to harness the bleeding edge of the current technologies (performance capture, 3D, sophisticated robotic camera rigs) to serve a story that could only really exist in this form. Sure, once his ears had stopped bleeding Georges Meliés would totally recognise what director Alfonso Cuarón and his screenwriter partner (and son) Jonás are doing here, but he would be the first to put his hand up to say that he wouldn’t have been able to do it. Same for Kubrick, I suspect.

During a routine shuttle mission high above the Earth, astronauts Sandy Bullock and George Clooney are struggling to make some adjustments to the Hubble telescope when Houston (a nicely cast Ed Harris) warns them of some incoming debris. A Russian spy satellite has been destroyed by its owners causing a chain reaction as the little buggers kick-off all over the place. Tiny fragments of satellite travel at lethal speeds on roughly the same orbit and our heroes have to get to safety before they risk being vaporised.

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Review: Children of Men and more ...

By Cinema and Reviews

Children of Men posterI grew up under the high-heeled jackboot of Margaret Thatcher’s Britain, when post-apocalyptic visions of futuristic fascist dictatorships seemed to turn up as regularly as London buses. Back then we all felt that the world was at risk from the insane plans of a mentally deficient, war-mongering, US president captured by the military-industrial complex. Of course, now things are completely different (ahem) but Children of Men still seems like the product of a bygone era.

20 years into a grey British future: the population is sterile and extinction of the human race is inevitable. Alcoholic public servant Clive Owen is persuaded by ex-girlfriend and freedom-fighter Julianne Moore to transport some precious cargo to the coast but her plan (and her team) is soon shredded by the forces of reaction and Owen is forced to go it alone. There are several absolutely jaw-dropping set-pieces and I wonder whether the people of Bexhill realised what sort of mess was going to be made of their quiet little seaside town. Never lend anything to a film crew!

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