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anthony mackie Archives - Funerals & Snakes

Only God Forgives poster

Review: Pain & Gain, Only God Forgives, The Wolverine, The Way Way Back, The Conjuring & Byzantium

By Cinema and Reviews

Ryan Gosling in Only God Forgives (2013).

Still Mine posterStill hovering around some local cinemas — and the longest-delayed of all my outstanding reviews — Still Mine is a surprisingly effective Canadian drama about an elderly man (James Cromwell, 73 but playing a fit 89) determined to build a new house for his wife (Geneviéve Bujold) before her memory deserts her completely. Cromwell gives his character a softness which belies the usual ornery old dude clichés, even if his stubborn refusal to submit to the building code is the device on which the story hinges. Contains lots of shots of Cromwell’s heroic profile staring off into the New Brunswick distance.

Ping Pong posterOlder people are, paradoxically, the only growing segment of the film audience in New Zealand so there’s often high quality fare around the tempt them. One of the best is the documentary Ping Pong, about competitors (genuine competitors at that) in the World Over 80s Table Tennis Championship in Inner Mongolia. Like any good documentary it assembles a great cast of characters and like all good sports movies it makes full use of the built-in drama of a knock-out tournament. Not just about the restorative power of exercise, it’s also about friendship and adventure. Inspiring, so help me.

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Review: The Hurt Locker, Clash of the Titans, Nowhere Boy & Valentine’s Day

By Cinema and Reviews

The Hurt Locker posterIt took well over 18 months for Kathryn Bigelow’s The Hurt Locker to get a general release in New Zealand – a year in which it steadily built audiences and critical acclaim at worldwide festivals and public screenings. In fact, until it was nominated for a Golden Globe late last year the film had no New Zealand release date scheduled and many film buffs resorted to illicit online sources to try and see (what was being touted) as one of the films of the decade.

This is a worrying trend. Increasingly, some of the best films are heading straight to DVD (sometimes, if the timing works, with a Film Festival screening but not always) and, despite New Zealand having a fine track record for supporting arthouse and thoughtful product, I find myself confronted every week by rubbish like Law Abiding Citizen and Bounty Hunter. Somewhere along the line the distributors have lost their nerve: The Blind Side, which won an Academy Award for Sandra Bullock last month, has only just been given a slot by Roadshow (Warner Brothers). A Serious Man was one of the most brilliant and intelligent films I’ve ever seen and only one print was placed in Wellington – and it was a Coen Brothers Film!

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