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Review: Bridesmaids, Green Lantern, Russian Snark, Mammoth and The Conspirator

By Cinema and Reviews

Bridesmaids posterAfter years of auteur the­ory we have become con­di­tioned to describe films as products of their dir­ect­or and so in my first draft of this review I star­ted off talk­ing about Paul Feig’s Bridesmaids. But it isn’t really Paul Feig’s Bridesmaids, it’s Kristen Wiig’s Bridesmaids. She co-wrote it (with Annie Mumolo), co-produced it and stars in it as Annie, a thirty-something single woman liv­ing in Milwaukee, hav­ing a hard time of things (but a com­edy hard time of things, this isn’t Down to the Bone or some­thing from Romania).

Still, she’s lost all her money in a failed bak­ing busi­ness (blamed on the eco­nomy not her mar­vel­lous cakes), she’s flat­ting with two awful English sib­lings who have no idea of bound­ar­ies and her best friend (Maya Rudolph from Away We Go) is get­ting mar­ried while she is in an entirely unsat­is­fact­ory ‘friends with bene­fits’ arrange­ment with douche Jon Hamm.

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Review: Super 8, Diary of a Wimpy Kid: Rodrick Rules, Soul Surfer, Biutiful, The Tempest and Brighton Rock

By Cinema and Reviews

I’ve been busy over the last few weeks work­ing on New Zealand’s biggest par­ti­cip­at­ory film event, the V 48 Hours which reaches its loc­al cli­max tonight at the Embassy Theatre. It’s a won­der­ful cel­eb­ra­tion of Wellington film tal­ent and there may be door sales so check with the venue.

Super 8 posterOne of the inspir­a­tions for 48 Hours is the true story of a group of Mississippi kids who spent six years of week­ends and hol­i­days in the 1980s remak­ing Raiders of the Lost Ark – shot for shot – on home video. The pro­ject went from notori­ous to legendary in 2003 when the kids (now adults) were invited to meet Lucas and Spielberg and their story was even optioned by Paramount. I can’t see that pic­ture get­ting made now as Spielberg (and J.J. “Star Trek” Abrams) have come up with some­thing that, though par­tially inspired by the boys’ VHS efforts, goes in a dif­fer­ent dir­ec­tion entirely, hon­our­ing not just their homemade Raiders but Spielberg’s own E.T. and Close Encounters .

In a small Ohio town in 1979 a bunch of kids are mak­ing a zom­bie flick so they can enter the loc­al Super 8 film com­pet­i­tion. During an unau­thor­ised night shoot at the rail­way sta­tion they wit­ness a dev­ast­at­ing train crash which unleashes mys­ter­i­ous forces that the Government is des­per­ate to cov­er up. As the freaked-out cit­izenry are evac­u­ated so the Air Force can hunt down the whatever-it-is that’s escaped, our hero­ic kids head back in to the danger zone armed only with curi­os­ity and that child-like sense of right and wrong that Mr. Spielberg used to spe­cial­ise in.

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