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Review: A Good Day to Die Hard, Hansel & Gretel: Witch Hunters, This is 40 and Safe Haven

By Cinema and Reviews

A Good Day to Die Hard posterThe first thing you need to understand about A Good Day to Die Hard is that it isn’t really a Die Hard movie. In the same way that instant coffee and espresso coffee share a name but are in fact entirely different beverages, you’d be wise to go to a Good Day screening with modest expectations — expectations that would already have been lowered if you’d seen 2007’s dismal Die Hard 4.0 (aka Live Free and Die Hard).

Bruce Willis plays Detective John McClane for the fifth time since 1988 but this time there’s no smirk, no glint in his eye and none of the recognisable human frailties that made the original character so appealing. Instead, he’s just what everybody always said he was — an asshole. When his son is arrested by Moscow authorities for what looks like a mob hit, McClane heads to Eastern Europe to try and save a boy he hardly knows. As usual, McClane becomes “the fly in the ointment, the monkey in the wrench” and he immediately lands in the middle of a CIA operation to extract a rebel oligarch hiding information that could bring down the government, his untimely intervention destroying most of Moscow’s traffic in the process.

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Preview: 2009 Wellington Film Festival

By Cinema

200907152020.jpgThe Wellington Film Festival (sorry, New Zealand International Film Festival, Wellington Branch) is a huge undertaking for the committed cinema-goer. Every year we devour the programme for weeks in advance, scheduling annual leave and long “lunch breaks”, trying to work out what is essential and what isn’t. After 20 years of this, I’ve only just begun to realise that in the search for the essential many other pleasures have been passing me by. This year, before I even looked at the programme, I asked the Festival to choose a stack of DVDs for me, with the emphasis on the unheralded and the unexpected. Thus, of the 13 films I’ve been watching over the last three or so weeks, all but one of them were from the back half of the book (and probably would not have been on my personal shortlist) but all of them had something special to offer. So, is my advice for the Festival to not book in advance but instead choose films at random depending on your own availability and proximity to a venue? Maybe it is.

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