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Captain Phillips poster

Review: Diana, Runner Runner, Camille Claudel 1915, Prisoners, Austenland, About Time and Captain Phillips

By Cinema and Reviews

Apart from the ines­cap­able need to carve out a mea­gre liv­ing from an uncar­ing world, one of the reas­ons why these weekly updates have been some­thing less than, well, weekly recently has been that most of the fare on offer at the pic­tures has been so uninspiring.

Diana posterTake Oliver Hirschbiegel’s Diana for example. It’s not a bad movie, per se. It’s cer­tainly not the train­wreck that the British media would have you believe. It’s just so … ines­sen­tial. Hirschbiegel’s desire to be respect­ful to Diana’s chil­dren, and to oth­er play­ers in the story who are still liv­ing, simply sucks all of the drama out of the thing, leav­ing you with a frus­trat­ing non-love story between two frus­trat­ingly inar­tic­u­late people. There are occa­sion­al hints of the com­plex char­ac­ter she may have been but the fin­ished product is a kind of noth­ing. It really is too soon for this film to tell this story.

Runner Runner posterThen there’s the Justin Timberlake vehicle Runner Runner, in which the pop star turned act­or attempts to carry a film all by him­self and proves that he either is unable to do so, or can­’t pick a pro­ject that’s worth the attempt. He plays a former Wall St hot­shot with a tal­ent for cal­cu­lat­ing risk who trades Princeton for the high life of run­ning an online gambling busi­ness in sunny (and shady) Costa Rica. Not one word of this dis­mal little film betrays a breath of authen­ti­city, either in its storytelling or char­ac­ter. Screenwriters Koppelman and Levien once wrote Ocean’s 13 (and The Girlfriend Experience) for Steven Soderbergh. At least they were meant to be fantasy.

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Review- Billy T: Te Movie, POM Wonderful Presents: The Greatest Movie Ever Sold, Incendies, Of Gods and Men, How I Ended This Summer, Mr. Popper’s Penguins and Something Borrowed

By Cinema and Reviews

Billy T: Te Movie posterProspective new migrants to New Zealand should be shown Ian Mune’s movie Billy T: Te Movie in order to weed out the uncom­mit­ted. Of course, we needn’t tell them that the coun­try has changed bey­ond all recog­ni­tion in the the last 25 years – that would spoil the fun. We could stick a hid­den cam­era on them and giggle (I think I know what the giggle should sound like too) as the full hor­ror of New Zealand’s unsoph­ist­ic­a­tion in the 70s and 80s is revealed.

Billy’s suc­cess was symp­to­mat­ic of that strange imma­ture cling­ing to over­seas ideas that riddled New Zealand cul­ture at the time – he was inspired by awful Northern com­ics like Bernard Manning and Les Dawson – but he was also a cata­lyst for the change and Mune’s doco tells his story well. My only com­plaint – for a change – is that it isn’t long enough – some of the most inter­est­ing aspects of Billy’s life are skir­ted over pretty lightly. I could have done with more from Jim Moriarty, for example, about what it was like as an act­iv­ist to watch the only Maori on tv per­petu­at­ing ugly ste­reo­types. In fact, they could have swapped more ana­lys­is for some of Billy’s lamer jokes and I wouldn’t have minded.

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