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Captain Phillips poster

Review: Diana, Runner Runner, Camille Claudel 1915, Prisoners, Austenland, About Time and Captain Phillips

By Cinema and Reviews

Tom Hanks in Paul Greengrass's Captain Phillips (2013)

Apart from the inescapable need to carve out a meagre living from an uncaring world, one of the reasons why these weekly updates have been something less than, well, weekly recently has been that most of the fare on offer at the pictures has been so uninspiring.

Diana posterTake Oliver Hirschbiegel’s Diana for example. It’s not a bad movie, per se. It’s certainly not the trainwreck that the British media would have you believe. It’s just so … inessential. Hirschbiegel’s desire to be respectful to Diana’s children, and to other players in the story who are still living, simply sucks all of the drama out of the thing, leaving you with a frustrating non-love story between two frustratingly inarticulate people. There are occasional hints of the complex character she may have been but the finished product is a kind of nothing. It really is too soon for this film to tell this story.

Runner Runner posterThen there’s the Justin Timberlake vehicle Runner Runner, in which the pop star turned actor attempts to carry a film all by himself and proves that he either is unable to do so, or can’t pick a project that’s worth the attempt. He plays a former Wall St hotshot with a talent for calculating risk who trades Princeton for the high life of running an online gambling business in sunny (and shady) Costa Rica. Not one word of this dismal little film betrays a breath of authenticity, either in its storytelling or character. Screenwriters Koppelman and Levien once wrote Ocean’s 13 (and The Girlfriend Experience) for Steven Soderbergh. At least they were meant to be fantasy.

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Cinematica 5/02: Knocking the Bastard Off

By Audio and Cinema

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In this week’s episode Dan and Kailey climb Everest in 3D (Beyond the Edge), try and break the bank of an internet casino (Runner Runner) and solve the mystery of two missing children (Prisoners).

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Review- Billy T: Te Movie, POM Wonderful Presents: The Greatest Movie Ever Sold, Incendies, Of Gods and Men, How I Ended This Summer, Mr. Popper’s Penguins and Something Borrowed

By Cinema and Reviews

Billy T: Te Movie posterProspective new migrants to New Zealand should be shown Ian Mune’s movie Billy T: Te Movie in order to weed out the uncommitted. Of course, we needn’t tell them that the country has changed beyond all recognition in the the last 25 years — that would spoil the fun. We could stick a hidden camera on them and giggle (I think I know what the giggle should sound like too) as the full horror of New Zealand’s unsophistication in the 70s and 80s is revealed.

Billy’s success was symptomatic of that strange immature clinging to overseas ideas that riddled New Zealand culture at the time — he was inspired by awful Northern comics like Bernard Manning and Les Dawson — but he was also a catalyst for the change and Mune’s doco tells his story well. My only complaint — for a change — is that it isn’t long enough — some of the most interesting aspects of Billy’s life are skirted over pretty lightly. I could have done with more from Jim Moriarty, for example, about what it was like as an activist to watch the only Maori on tv perpetuating ugly stereotypes. In fact, they could have swapped more analysis for some of Billy’s lamer jokes and I wouldn’t have minded.

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