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Review: There Will Be Blood, 27 Dresses, Rogue Assassin and Red Road

By Cinema and Reviews

There Will Be Blood posterLike the buses on Courtenay Place after 8 o’clock on a Sunday night, you can wait what seems like forever for a cinema mas­ter­piece and then two come along at once. Like No Country for Old Men, P. T. Anderson’s There Will Be Blood is an American clas­sic and you’d be hard-pushed to slip a play­ing card between them in terms of quality.

Dedicated to Anderson’s hero, Robert Altman, Blood is a beast of a dif­fer­ent col­our to Old Men: a heavy-weight Western-style epic pour­ing oil on the myth of the American dream and then drop­ping a match on it. The amaz­ing Daniel Day-Lewis plays inde­pend­ent pro­spect­or, oil man and mis­an­thrope Daniel Plainview. Determined to sep­ar­ate simple people from the oil under their feet he uses his adop­ted child in order to resemble an hon­est fam­ily man while he plots the down­fall of his enemies.

There Will Be Blood ruth­lessly dis­sects the two com­pet­ing powers of 20th Century American life: cap­it­al­ism and reli­gion, each as cyn­ic­al and cor­rupt as the oth­er. Paul Dano (the com­ic­ally mute son in Little Miss Sunshine) is a rev­el­a­tion as cha­ris­mat­ic pas­tor Eli Sunday, the only char­ac­ter strong enough to mer­it a battle of wills with Plainview – a battle to the finish.

27 Dresses posterListless rom-com 27 Dresses comes to life for one amus­ing mont­age of wed­dings and dresses (about half way in) but oth­er­wise this star-vehicle for Katherine Heigl (Knocked Up) seems under-powered. She’s joined in the film by James Marsden (Enchanted) (not nor­mally a cause for rejoicing, and so it proves once again here) and Malin Akerman (The Heartbreak Kid) who isn’t nearly as funny as she thinks she is. Heigl plays a sup­posedly plain, self-effacing, young woman who organ­ises the lives (and wed­dings) of all those around her while secretly pin­ing for a wed­ding of her own with Boss Ed Burns.

Rogue Assassin posterRogue Assassin is big and dumb and doesn’t even suc­ceed on it’s own lim­ited terms. Former mem­ber of the British Olympic Diving Team, Jason Statham (Crank) plays an inex­plic­ably English-accented FBI agent in the Asian Crime Unit. He’s on the trail of an ex-CIA hit­man named Rogue (Jet Li) who is engaged in a Yojimbo-like plot to des­troy San Francisco’s Yakuza and Triad gangs. Fans of Jet Li’s trade­mark bal­let­ic mar­tial arts will be dis­ap­poin­ted as any­thing more than stand­ing around look­ing stern seems to be bey­ond him now. The daft twist at the end will provide some much-needed amusement.

Red Road posterDanish pro­vocateur dir­ect­or Lars von Trier recently announced his retire­ment from film­mak­ing due to depres­sion. He hasn’t ceased involve­ment in film, though, as his com­pany Zentropa is still pro­du­cing some of the most unusu­al and chal­len­ging films around and Red Road is a per­fect example, the first release in a new pro­ject called The Advance Party. Zentropa pro­du­cers Lone Scherfig & Anders Thomas Jensen (Wilbur Wants to Kill Himself) cre­ated sev­er­al char­ac­ters and then gave those char­ac­ters (and a set of rules about how they should be used) to three writer-directors in the hope that the three films togeth­er would prove great­er than the sum of the parts.

The first film, Andrea Arnold’s Red Road, isn’t just an inter­est­ing exper­i­ment, it’s actu­ally very good. Lonely Glasgow CCTV oper­at­or Jackie (Kate Dickie) is haunted by an unspe­cified tragedy from her past. When she sees an unex­pec­ted face on her mon­it­or she, in spite of her­self, is forced to con­front him and her own grief. The Red Road coun­cil estate, that gives the film it’s name, makes Newtown Park Flats look like the Isle of Capri, and the whole thing has a Loach-ian grit that is hap­pily well-balanced by some beau­ti­ful cine­ma­to­graphy. The film itself plays out slowly, but not inev­it­ably, and the sur­prise rev­el­a­tion at the end is less power­ful but some­how more mov­ing than you expect.

Printed in Wellington’s Capital Times on Wednesday 20 February, 2008.

Notes on screen­ing con­di­tions: There Will Be Blood screened at Rialto Wellington on Saturday after­noon. The image was incor­rectly masked so that the ver­tic­al cyan soundtrack along the left of the screen was clearly vis­ible through­out. The pro­jec­tion­ist was aler­ted but he shrugged his shoulders and said there was noth­ing he could do about it. We have about six more weeks of Rialto Wellington and I volun­teer to swing the first wrecking-ball.

Review: The Golden Compass, Enchanted, Alvin and the Chipmunks, The Water Horse, National Treasure- Book of Secrets, I Am Legend, Sweet Land, The Kite Runner, Priceless and The Darjeeling Limited

By Cinema and Reviews

The Golden Compass posterKeen-eyed read­ers will remem­ber that a year ago I nom­in­ated The Golden Compass as my most-eagerly-awaited title of 2007. So, how did it pan out? I’m one of those who con­sider Philip Pulman’s His Dark Materials books to be the most import­ant works of fic­tion pro­duced in the last 20 years and I was sur­prised at how closely the film fol­lowed Book One (“Northern Lights”), pos­sibly to it’s det­ri­ment. I was wor­ried that a film with much expos­i­tion and detailed scene-setting might prove unwatch­able but my com­pan­ion (unfa­mil­i­ar with the books) found it thrill­ing where­as I found it hard to let myself go and relax into it – maybe second time around.

Enchanted poster Disney’s Enchanted saw Amy Adams reprise her Oscar-nominated wide-eyed naïf from Junebug. Unfortunately, as Princess Giselle from the anim­ated king­dom of Andalasia, she couldn’t over­come the col­lect­ive bland­ness of James Marsden as fictional-world love interest or Patrick Dempsey as real-world love interest; diver­sions were provided by Timothy Spall and the first of sev­er­al anim­ated chip­munks to land this Christmas.

Alvin and the Chipmunks posterThe next fluffy rodents to arrive were the “singing” trio from Alvin and the Chipmunks, a recre­ation of someone’s favour­ite child­hood pop butchers. Jason Lee is a waste of space as the song­writer who dis­cov­ers them but the little crit­ters them­selves will keep your inner 8‑year-old amused for a while.

The Water Horse posterAlso for the kids was the well-meaning but slightly po-faced Loch Ness mon­ster fantasy The Water Horse, anoth­er high-class product of the family-friendly Walden Media/Weta/NZ con­fed­er­a­tion. A tre­mend­ous over­seas cast led by Ben Chaplin and Emily Watson are joined by famil­i­ar and reli­able loc­al faces like Joel Tobeck and Geraldine Brophy.

National Treasure: Book of Secrets posterNational Treasure: Book of Secrets saw Nicolas Cage arise from his coma and make a little more of an effort than he did earli­er this year in Next: it’s a noisy romp in which unlikely char­ac­ters and implaus­ible situ­ations com­bine to bam­boozle any seeker after logic. Helen Mirren, Harvey Keitel and Ed Harris add gravitas.

I Am Legend posterWill Smith returned in the oft-made man alone thrill­er I Am Legend, a per­fect example of a poor script made pal­at­able by classy dir­ec­tion and a superb lead­ing man at the top of his game. Smith plays Lt-Col Robert Neville: dec­or­ated war vet­er­an, ace micro-biologist and (judging by his address oppos­ite the Washington Square Arch) heir to the Rockefeller for­tune too. A genet­ic­ally mutated vir­us that was sup­posed to cure can­cer has gone rogue. 99% of the pop­u­la­tion has died, 1% have turned into bloodthirsty zom­bies and only one man is immune – hand­ily for our pur­poses the one man who might know how to cre­ate a vac­cine. Lots of frights, lots of great action and a mag­ni­fi­cently seam­less cre­ation of aban­doned New York make it cer­tainly worth a look. At least until the last 15 minutes when, sadly, it just gets stupid.

Sweet Land posterFinally, to the art­house: Sweet Land is an unher­al­ded gem set in beau­ti­ful rur­al Minnesota among the Northern European immig­rants who were mak­ing their lives on that land in the first quarter of the last cen­tury. Elizabeth Reaser plays German immig­rant Inge who travels from Germany to meet Lars, the man who is to be her hus­band. But she speaks no English, has no papers and the loc­als are sus­pi­cious of Germans – the mar­riage is for­bid­den. True love con­quers all but not before the bit­ter sweet tale ties three gen­er­a­tions and the fer­tile farm­land togeth­er. Recommended.

The Kite Runner posterA monu­ment to the Digital Intermediate Colourist’s art, The Kite Runner is an adapt­a­tion of the beloved nov­el by Khaled Hosseini, dir­ec­ted by Marc Forster (Finding Neverland, cur­rently shoot­ing the new Bond). Affecting but manip­u­lat­ive, The Kite Runner is a story of guilt and redemp­tion (usu­ally cat­nip to me) but in the end it relied too much on out­rageous coin­cid­ence to be truly sat­is­fy­ing. Great per­form­ances from Ahmad Khan Mahmidzada as Young Hassan and Homayoun Ershadi as Baba mean it is nev­er less than watchable.

Priceless posterPriceless is yet anoth­er French film about mis­taken iden­tity and class restric­tions: they seem to be more obsessed about class and status than the poms. Gad Elmaleh (The Valet) and Amelie’s Audrey Tautou play two ambi­tious indi­vidu­als from the serving class: he walks dogs and tends bar at a flash hotel and she is a gold dig­ger try­ing to snare a rich old hus­band. The fact that both act­ors are of North African des­cent (and there­fore are excluded from the ranks of the real French who sit at the top table) is either a subtle stroke of geni­us or dodgy racism depend­ing on the degree of Christmas spir­it you want to demonstrate.

The Darjeeling Limited posterFinally, The Darjeeling Limited is a win­ning tale of lost young men, search­ing for a fath­er fig­ure, from the mod­ern day poet of fath­er fig­ure searches, Wes Anderson (The Life Aquatic). There’s no great them­at­ic or styl­ist­ic leap made by Anderson here but he is hon­ing this stuff to a fine art. Adrien Brody, Owen Wilson and Jason Schwartzman are three broth­ers on a spir­itu­al jour­ney across India but it is the recently deceased fath­er who casts the longest shad­ow. Well made and often very funny, The Darjeeling Limited is very easy to enjoy and Anderson’s taste is exquisite.

To be prin­ted in Wellington’s Capital Times on Wednesday, 16 Jan, 2008. I am tak­ing a week­end off, away from the Internet and cinema so will catch up with the week’s new releases next week.