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Review: Summer Holiday Roundup (2011/12)

By Cinema and Reviews

Time to clear the sum­mer hol­i­day back­log so that the next time it rains you’ll have an idea of what you should go and see. There’s plenty to choose from – for all ages – and there’s a bunch more to come too.

Hugo posterBest thing on at the moment is Martin Scorsese’s first “kids” film, Hugo, but it took a second view­ing for con­firm­a­tion. It is a gor­geous love let­ter to cinema, a plea for decent archives, a cham­pi­on of the latest tech­no­logy – all Marty’s cur­rent pas­sions – but it’s also about some­thing more, some­thing universal.

Hugo Cabret (Asa Butterfield) is a little orphan ragamuffin hid­ing in the walls of a great Paris rail­way sta­tion, wind­ing the clocks and try­ing to repair a broken auto­maton that he believes con­tains a mes­sage from his dead fath­er (Jude Law). While steal­ing parts from the sta­tion toy shop – and its sad and grumpy old own­er – Hugo meets the old man’s god-daughter (Chloë Grace Moretz) and between them they try and unravel the mys­tery of the auto­maton and why Papa Georges (Ben Kingsley) is so unhappy. Hugo is a mov­ing story about repair – the kind of redemp­tion that comes when you don’t write off and dis­card broken machines – or broken people.

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Review: Water for Elephants, From Time to Time, Burke & Hare, Catfish, Reflections of the Past, Hoodwinked Too and 3D Sex and Zen

By Cinema and Reviews

Water for Elephants posterSomeone described melo­drama to me the oth­er day as “unearned emo­tion” and that’s a help­ful way to look at a few of this week’s offer­ings. Firstly the glossy adapt­a­tion of Sara Gruen’s best­selling nov­el of romance and tragedy at the cir­cus, Water for Elephants. Twilight’s Robert Pattinson plays veter­in­ary stu­dent Jacob who, after the death of his par­ents, runs away to join Christoph Waltz’s strug­gling Depression-era cir­cus. There he falls in love with Waltz’s down­trod­den but beau­ti­ful wife Reese Witherspoon (and also Rosie the down­trod­den but beau­ti­ful new elephant).

Director Francis Lawrence makes a token attempt to show us the gritty and des­per­ate side of Depression life but in the end the high fructose corn syr­up of tra­di­tion­al Hollywood romance smoth­ers everything. Pattinson remains dead behind the eyes as always, Witherspoon fails to con­vince as an acrobat and Waltz repeats his Oscar-winning psy­cho­path­ic Nazi from Inglourious Basterds only without the great Tarantino dialogue.

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