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gwyneth paltrow Archives - Funerals & Snakes

Review: Iron Man 3, First Position and Identity Thief

By Cinema and Reviews

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Whatever they are paying Robert Downey Jr. to play Iron Man, it is is worth every penny. Iron Man 3, the third instalment in his own branch of the Marvel Universe series that also features Captain America, The Mighty Thor and The Hulk is hurtling towards a billion dollars of box office revenues and might just have broken even on the $200m production costs by the time you read this.

Iron man 3 posterI’m not sure that there is a better technician in commercial cinema than Downey. Even when he is poorly — or not even — directed in films like the last Sherlock Holmes or the last Iron Man, he is never less than watchable, but when he is challenged by a director and the material he is up there with the best ever. The name Cary Grant just popped in to my head and I think the comparison is reasonable.

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Review: Oz the Great and Powerful, Samsara, Cirque du Soleil Worlds Away, Great Expectations and The Sweeney

By Cinema, Reviews and Wellington

Oz The Great and Powerful posterIt’s a question that has been burning away inside all of us for nearly 75 years — how did the Wizard (who wasn’t really a wizard at all but a carnival showman with a knack for gadgets) get to Oz in the first place? You neither, huh? Ah well, this least essential question has now been answered by Spider-Man (and Evil Dead) director Sam Raimi and his team of pixel-wielding minions. As a prequel to the beloved 1939 film starring Judy Garland and a dog called Toto, Oz the Great and Powerful is not without risk. Other attempts to recreate L. Frank Baum’s magical world have been either commercial or artistic failures — The Wiz, for example, or Return to Oz.

Casting the human smirk, James Franco, as the carnival magician transported to the land of the yellow brick road by a hot air balloon (via tornado) is also a risk but it eventually pays off, even though Franco’s boyish features are starting to look a bit ragged. Escaping various romantic and financial pressures back home in black and white Kansas, Franco’s Oz finds himself blown off course to a technicolor(ish) fantastical land where a prophecy suggests he will protect the peace-loving citizens from wicked witches but also gain control of the palace fortune. Guess which one appeals more.

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Review: Two Lovers, My Sister’s Keeper, The Imaginarium of Dr Parnassus and A Christmas Carol

By Cinema and Reviews

Two Lovers posterAt what point in a man’s life does he decide to become a dry cleaner? For Joaquin Phoenix’s character, Leonard Kraditor, in Two Lovers that day is never and yet he still finds himself to be one. He’s a sensitive soul whose mental health issues have resulted in several suicide attempts, a permanent relationship with medication and a need to start again with his loving parents in their small apartment in Brooklyn.

His father introduces him to the daughter of a business associate (Vinessa Shaw) in the hopes that a positive relationship might heal his son and also be a profitable development for the dry cleaning business. At the same time, Leonard meets and falls for the beautiful and mysterious upstairs neighbour, played by Gwyneth Paltrow, whose own relationship with a wealthy married man is doing her no good.

Two Lovers is written and directed by James Gray, the iconoclastic and uncompromising independent filmmaker responsible for the gritty New York dramas Little Odessa and last year’s We Own the Night , which also starred Phoenix. It’s a careful and sensitive picture about how so often love is about wanting to heal and protect someone – Shaw wants to heal Phoenix and he wants to heal Paltrow and none of them realise the extent to which they have to heal themselves first.

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