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in search of a midnight kiss

Review: Harry Potter and the Deathly Hallows: Part 1, Monsters and Lebanon

By Cinema, Reviews

Harry Potter and the Deathly Hallows pt 1 posterHarry Potter and the Deathly Hallows: Part 1 is the sev­enth film in the series but only the third that I’ve had to review in these pages. Sadly, my con­clu­sions are almost always the same – and almost always irrel­ev­ant. These films are increas­ingly made for Potter fans only and there are so many of them that box office suc­cess is guar­an­teed regard­less of churls like me.

And, of course, the Potter films are as import­ant to the British film industry as The Hobbit is to ours – hence why the final book in the saga has been, in a breath­tak­ing act of com­mer­cial cyn­icism, been split in to two block­buster films. If you were expect­ing any kind of con­clu­sion (sat­is­fact­ory or not) then you’ll have to wait until June. Maybe.

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(500) Days of Summer poster

Review: (500) Days of Summer, Samson and Delilah and In the Loop

By Cinema, Reviews

The romantic com­edy is moribund. The first traces of its demise can be dated to the turn of the mil­leni­um, when Hugh Grant decided that he didn’t really want to be the floppy-haired object of middle-class women’s affec­tions. Since then, the genre has been a reli­able pro­du­cer of tired and cyn­ic­al “battles of the sexes” or grown-up fables in which a self-centred man-child dis­cov­ers unlikely love via a woman who is palp­ably too good for him. Earlier this year The Ugly Truth scraped the bot­tom of that bar­rel by try­ing to merge both forms and has yet to be sur­passed as worst film of the year.

(500) Days of Summer posterSo, if ever there was a genre ripe for reboot (like Star Trek earli­er this year) it is the romantic com­edy and, because nature abhors a vacu­um, we now get one. It’s called (500) Days of Summer and it may well be one of the best films of the year.

The time is present day Los Angeles (a street-level Los Angeles not a mil­lion miles away from the charm­ing In Search of a Midnight Kiss earli­er this year) and our hero (Joseph Gordon-Levitt) is a young vis­ion­ary who no longer believes in him­self: an archi­tect stuck in a dead-end job writ­ing greet­ing cards. He meets his boss’s beau­ti­ful new assist­ant Summer (Zooey Deschanel) and they bond over The Smiths. He is besot­ted. She, not so much, but they start an affair.

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Review: Terminator Salvation, Love the Beast, Fugitive Pieces, JCVD and In Search of a Midnight Kiss

By Cinema, Reviews

Terminator Salvation poster’Tis the sea­son to reboot tired fran­chises and this week we get an explos­ive new look at James Cameron’s beloved Terminator. Set only nine years in the future (when open-air bat­tle­field heart trans­plants will be de rigeur dur­ing la guerre), the Judgement Day of T2 has des­troyed most of the West Coast of the USA and only a hardy band of ill-equipped rebels are keep­ing the mon­strous Skynet at bay.

John Connor, proph­esied future saviour of the human race, is a only a sol­dier in the rebel army but his reg­u­lar radio broad­casts bring hope to the scattered, ragtag freedom-fighters. In a battle to res­cue some human pris­on­ers his entire squad is killed – but he does man­age to release the mys­ter­i­ous Marcus Wright (Aussie boof­head Sam Worthington) who may hold the key to the defeat of the machines.

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