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lejandro González Iñárritua

Review: Public Enemies, Faintheart, Coraline and Battle in Seattle

By Cinema, Conflict of Interest and Reviews

Public Enemies posterOf all dir­ect­ors cur­rently work­ing in the Hollywood main­stream Michael Mann is argu­ably the greatest styl­ist. No one at the mul­ti­plex has more con­trol of the pure aes­thet­ics of film­mak­ing, from col­our bal­ance and com­pos­i­tion through edit­ing and sound, Mann’s films (from Thief in 1981 to the mis­guided rework­ing of Miami Vice in 2006) have had a European visu­al sens­ib­il­ity while remain­ing heav­ily embed­ded in the seamy world of crime and punishment.

Now Mann has turned back the clock and made a peri­od crime film, set dur­ing the last great depres­sion. Based on the true story of the legendary bank rob­ber John Dillinger, whose gang cut a swathe across the Midwest in 1933 and 1934, Mann’s Public Enemies is a styl­ish and superbly craf­ted tale of a doomed hero pur­sued by a dogged law­man. Dillinger is por­trayed by Johnny Depp with his usu­al swag­ger and his nemes­is is the now sadly ubi­quit­ous Christian Bale.

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