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Review: Secretariat and Gainsbourg (plus French Film Festival preview)

By Cinema, Reviews

OK, so here’s how this is sup­posed to work. I watch a whole lot of films, give you a hope­fully spoiler-free run­down of what they’re about, offer you my impres­sions and then – based on what you’ve read of me in the past – you can decide wheth­er to drop some fold­ing on a night at the pic­tures, wait for a DVD to come out or (if you are a stu­dent with no mor­als) down­load some­thing to not watch later.

Now, my taste just so hap­pens to be impec­cable so you could do a lot worse than fol­low my every recom­mend­a­tion but this week I totally sur­prised myself and I’d be fas­cin­ated to see if many of you respond in quite the same way.

Secretariat posterSecretariat was a race­horse – a very suc­cess­ful race­horse. In 1973 it was the first horse for 25 years to win the Triple Crown (the Kentucky Derby, the Preakness and the Belmont) and is widely acknow­ledged to be the finest Thoroughbred that ever lived. I know next to noth­ing about racing – and could care even less – and yet I watched Randall Wallace’s biop­ic of the horse with tears in my eyes from start to fin­ish. I haven’t been milked like that since The Pursuit of Happyness back in 2007 and frankly Secretariat had no right to do that to me. I mean, it’s all been seen before and it’s cer­tainly not as if you don’t already know what’s going to hap­pen. And yet… and yet… I adored it.

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Review: The Girl Who Kicked the Hornets’ Nest, Devil, La Danse, Love Crime, The Eclipse and Glorious 39

By Cinema, Reviews

The Girl Who Kicked the Hornets' Nest posterThe irony of watch­ing a film in which shad­owy fig­ures from the Swedish gov­ern­ment lie, steal and murder in order to dis­cred­it a journ­al­ist try­ing to reveal embar­rass­ing secrets, in the same week that Wikileaks founder Julian Assange was accused of rape by a Swedish pro­sec­utor wasn’t lost on this review­er. Sadly, that was the only pleas­ure to be found watch­ing The Girl Who Kicked the Hornets’ Nest, num­ber three in the Millenium tri­logy that star­ted in 2009 with The Girl With the Dragon Tattoo.

This film picks up almost imme­di­ately after the pre­vi­ous epis­ode fin­ished and you may be sur­prised to dis­cov­er that pretty much every­one you thought was dead turns out to be still alive and mak­ing mis­chief. Feisty Lisbeth Salander (Noomi Rapace) is stuck in hos­pit­al recov­er­ing from her injur­ies while dour journ­al­ist Blomkvist (Michael Nyqvist) and his mates do their investigatin’.

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