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Review: Blue Valentine, Never Let Me Go, Certified Copy and Rango

By Cinema, Reviews

For years I’ve been com­plain­ing about films that give audi­ences everything on a plate – they tell what you should be think­ing and feel­ing, leav­ing no room for us. This week I have noth­ing to com­plain about as three out of our four make you work for your rewards (although three tough emo­tioanl and intel­lec­tu­al workouts in one week­end turns out to be pretty draining).

Derek Cianfrance’s Blue Valentine is a ter­rif­ic indie achieve­ment, brave and uncom­prom­ising, emo­tion­ally raw but intel­li­gent at the same time. A rela­tion­ship is born and a rela­tion­ship dies. Bookends of the same nar­rat­ive are clev­erly inter­cut to amp­li­fy the tragedy (and tragedy is a fair word to use – there’s a beau­ti­ful child get­ting hurt in the middle of all of this).

Dean (Ryan Gosling) and Cindy (Michelle Williams) meet and fall in love. He’s a dro­pout start­ing again in New York. She’s a med stu­dent with an unhappy home life and a douchebag boy­friend. Five or six years later she’s a nurse try­ing not to think about unful­filled poten­tial and he’s a house paint­er who drinks too much.

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Review: The Pursuit of Happyness and more ...

By Cinema, Reviews

The always watch­able Will Smith returns to our screens this week in a more than decent drama called The Pursuit of Happyness. Smith plays solo dad Chris Gardner who struggles to find a way out of the poverty trap (through an unpaid intern­ship at stock­broker Dean Witter) while bad luck, and life itself, con­spire against him. Happyness is a well-made remind­er that it can be flip­pin’ expens­ive being poor and it suc­cess­fully wrung sev­er­al salty tears from these cal­loused eyes.

Incidentally, Smith’s son Christopher is played by Smith’s real-life son Jaden, prov­ing that the apple really does­n’t fall very far from the tree.

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